許連成彩繪畫派之研究

傳統建築的彩繪藝術不但可以裝飾建築物之外貌，增添美感，亦同時負有保護建築結構的功能，有時更具備一些教化人心的功用，是一門深具實用與美觀功能的工藝。近年來台灣的社會發展隨著工商業的發達繁榮，使得生活情況與水平皆已不同與往，因而導致傳統建築的匠藝如大木、細木、石作、剪黏、彩繪等傳統專業的民間匠師，常呈現青黃不接的情形，使傳統技藝漸漸式微。老匠師們雖深諳傳統技藝精髓，但有些年事已高、改行或遷居，使得尋覓良匠巧藝相當不易，所以現今文化資產保存技術變得十分重要。再則，對於古蹟修復方面，有時一些建物中的傳統彩繪可能因其年代悠遠或是管理維護不當，使得傳統彩繪產生受損情形如：剝落、褪色、受潮等，須要加以修補時，就必須先了解匠師所具備的能力、彩繪風格與專業程度等前期作業後，才能考慮是否可以進行修復工程，有鑑於此，故而針對匠師的基礎研究是有其必要性。過去的彩繪師傅研究多以身在中南部區域的匠師為多，相對於南部匠師，對北部的匠師們進行詳細的研究的則較少，多於專書、專刊或論文之中可見到概略性的內容介紹。至近年開始漸有針對北部匠師的詳細研究出現。本文主要研究北部名匠許連成匠師一脈的彩繪技藝。許榮德師傅為已故的許連成師傅之子，許連成師傅為北部著名的建築彩繪師傅，其彩繪作品的數量頗為可觀，主要分佈最多是在大台北地區。許榮德師傅繼承父業，教授兒子與媳婦彩繪工藝，並一同進行彩繪工作。此外，筆者將許姓族人，即許連成、許榮德等具有同血緣同姓之人與向許家拜師學藝的異姓弟子，因兩者的彩繪工藝皆同出一處，故而皆將其包括在內統稱為「許連成彩繪畫派」。

關鍵字

許連城；許榮德；彩繪；彩畫；北部地區

並列摘要

The coloring of traditional building art not only cans decorate the outward appearance of building, increases pleasant impression, but also carries the function that protect the building structure at the same time and sometimes has some effects of culture public more, is a craft of deep practical and beautiful function. In recent years the social development of Taiwan along with the flourishing prosperity of the work business, make living condition and level all already dissimilarity with go toward, as a result cause a traditional building of the Jiang skill, such as big wood, thin wood and stone, make, shear a civil artisan who stick to, color the etc. traditional profession and often present the situation of temporary shortage and make the traditional technical skill gradually become weak. Old artisans although the deep An traditional technical skill essence, a bit advanced in age, change profession or move into, make to look for a good skill of Jiang Qiao rather not easy, so at present cultural property keep the technique become very important. Then , repair aspect to the historic site, sometimes some traditions in the buildings color may because it the age is faraway or the management safeguard not appropriate, make the tradition color to produce damaged situation as peeling off, fade in color, affect by damp and cold...etc., while musting take into to repair have to understand the ability that the artisan has first and color style and professional degree before etc. after expecting a homework, can consider whether can carry on repairing engineering, in light of this, hence the foundation research that aims at an artisan has it the necessity. In the past color teachers researches much with body at in the artisan of the south district is many, is more opposite than southern artisan, carry on a detailed research to the artisans of the north of then less, be particularly more than book, special issue or thesis in it is thus clear that go to the outline content introduce. Go to recent years to start to gradually appear the detailed research to aim at northern artisan. This text mainly studies the north Jiang connect into an artisan one coloring of vein technical skill. In the past color teachers researches much with body at in the artisan of the south district is many, is more opposite than southern artisan, carry on a detailed research to the artisans of the north of then less, be particularly more than book, special issue or thesis in it is thus clear that go to the outline content introduce. Go to recent years to start to gradually appear the detailed research to aim at northern artisan. This text mainly studies a northern Jiang Shu Lien-Cheng draw teacher a parties of color technical skill.