- 學位論文
元雜劇中「鬼魂元素」之研究 ──以編創技法為考量
“Ghost factor”of the Yuan Drama ── revised and created literary skills
摘要
本文探討元雜劇中劇作家們如何對鬼魂元素進行編創，即劇作家如何透過「鬼魂」元素，處理個別文本中生者與鬼魂之間的新關係。第二章，四部「歷史哀歌劇」與朱凱《昊天塔孟良盜骨》談的是兄弟之情、君臣之情及父子（女）之情；第三章，四部「愛情劇」與宮天挺《生死交范張雞黍》談愛情與友情，此二章相和正恰巧是儒家倫理中的五倫關係。然從此二章轉向第四章談度脫劇、因果輪迴劇，即是從「有情」（五倫之情）轉向為「無情」或「棄情」（宗教修練之道）的層面。最後，第五章不同於前三章所討論的「精神」價值層面，劇作家們反而將集中鋪述「鬼魂」之所以為「鬼魂」本身的形象特質，即是在舞台上如何呈現豐富且多變的鬼魂形象。
並列摘要
This paper examines how playwrights in the Yuan Drama innovations of ghost factors that the playwright is how to deal with the new relationship between the living and the ghosts individual text through the use of "ghost" factors. Chapter Two, four "historical tragedy" and "Haotian tower" to talk about is the love of the brothers, the feelings of the monarch and Sons (female); Chapter four "love drama" and "Fan Zhang chicken millet talk about loveand friendship, the two chapters phase and positive happens five cardinal Confucian ethics.From then on two chapters the steering fourth chapter talks Operasin., And the karma drama, "affectionate" (five cardinal feelings). Steering "ruthless" or "abandoning the level of emotion" (religious practitioners Road). Finally, the fifth chapter, unlike the first three chapters of the discussion of the "spirit" level of value, playwrights instead will focus Shop references to "ghost" the reason for the "ghost" image qualities, that is how to present the rich on the stageand changeable ghost image.