中文摘要 袁瓊崛起於眾聲喧嘩的八○年代,創作的質與量俱有可觀。有鑑於過去的研究多因為她的性別、創作主題,被定位為「閨秀作家」、「女性主義作家」,論者評述的對象,也局限於「女性議題」與「兩性關係」,忽略袁瓊瓊在小說作品中對人性共通本質的探討、對小人物的著墨與關注。 因而,本文欲打破作家定位框架,以袁瓊瓊小說中較為人忽略的小人物書寫為主要範疇,並選擇其中有關創傷的書寫,以疾病、夢境、死亡為對象,嘗試使用精神分析法探索其書寫策略。分析小說中人物類型、創傷經驗和「愛」與「關懷」在創傷療癒過程的重要性,歸納出袁瓊瓊創傷書寫的位置及其書寫的意義,主要為「書寫治療」、「控訴父權支配」和「關懷親子關係」,透過此一創傷書寫研究,提供另一種閱讀或研究袁瓊瓊的方式。
Abstract Yuan Ch'iung Ch'iung made her appearance in the boisterous 80s, her literary creations are considerable in both quality and quantiy. Due to the fact that past studies tend to categorize her as a "boudoir writer" or "feminist writer"and therefore restrict their respective analyses to topics such as "feminist issues" or "gender relationship," neglecting the examination of common humanity and the attention given to small insignificant people in Yuan's novels, this article instead focuses on Yuan's writings on these overlooked small characters. I further select a few themes such as disease, dreams and death, and try to analysize Yuan's writitngs on these topics and the possible "healing" effects the writing bring about through psychoanalysis. By analyszingthe types of characters in novels, their traumatic experiences, the importance of "love" and "care" in the healing process of trauma, I conclude the meaning of Yuan's writings as primarily about "healing," "indictment of patriarchy" and her "concern for parent-child relationship." Through such a study of traumatic writing, a new reading perspective for Yuan's works is opened up.