以基礎設計觀點探討虛空間之應用

Discussion of Void Space Apply Based on the Point of Basic Design

翁婉甄(Wan-Chen Weng)

指導教授 ： 林盛宏

國立臺中科技大學/設計學院/室內設計系碩士班/碩士(2014年)

摘要

本研究以虛空間作為主軸，利用案例配合基礎設計原理及視覺與空間感知做討論，探討虛空間的呈現方式與空間知覺。
本研究目的將分為三個：
一、探討虛空間與基礎設計的空間建構其關聯性。
二、確認基礎設計裡的「造形發展模式」是否適合用來分析討論虛空間理論。
三、根據案例分析的發現，做出相對應的空間設計詮釋，並加以印證。
本研究經文獻，探討空間建構的要素後，提出案例作為學習分析，其結果的成形，以便運用至設計實驗中。從研究結果可發現，透過「造形發展模式的分析」，可將建構虛空間的元素分為五大項，各別是「組織形式」、「色彩意象」、「質感」、「光線」、「時間」。其中光線是空間虛實的關鍵元素。空間中的光影變換可使空間擁有多種層次；組織形式，則與大部分的空間知覺有著正向關係；色彩可以是空間的場域界定；質感的變化由我們日常生活的學習，做出對應的心理反應；時間是空間中唯一無法被控制的變項，但也因此使空間更迷人。

關鍵字

虛空間 ； 基礎設計 ； 視覺空間

並列摘要

In this study, void space was used to create spatial designs. Subsequently, “form generation model” found in basic design was applied to various cases and the resulting user visions and spatial perception were discussed. These results were then used to investigate the methods of forming void space as well as the concept of spatial perception.
The study objectives are as follows:
1) To explore the spatial construction of void space and basic design as well as their relationship.
2) To verify the feasibility of using the form generation model found in basic design in analyzing spatial theories.
3) To interpret spatial designs based on the discoveries made and described in the case discussion section.
After examining the elements of basic design and spatial construction by studying existing literature, this study performed a learning analysis by utilizing various cases. The results were subsequently used for the design experiment. The study results showed that elements (variables) used to construct void space could be divided into five categories based on the form generation model analysis. The categories comprised “form of organization,” “color image,” “texture,” “light,” and “time,” where medium intensity light was key to determining whether a space is virtual or real. The effects of the various elements are listed as follows: changes in light allowed space to display various layers; form of organization exhibited a positive correlation with most spatial perceptions; color images may be used to define spatial fields; and changes in texture facilitated people’s corresponding psychological reactions, which were based on the knowledge/habits that they had acquired from everyday life. Time was the only variable that could not be controlled in space, making space remarkably more appealing.

並列關鍵字

void space ； basic design ； visual space

參考文獻

5.丘永福，1991，《造型原理》，台北市，台彩文化事業股份有限公司。

專書

1.YOSHINOBU ASHIHARA，《EXTERIOR SPACE IN ARCHITECTURE》，《外部空間構成》(譯)，王錦堂 譯，1973，臺北市，基龍書店。

2.康丁斯基著，《點、線、面》，1985，吳瑪悧譯台北市，藝術家出版社。

3.孫全文 / 王志浩，1985，《IHTA研究報告4-賴特建築中之東方要素》，台北市，胡氏文化。