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  • 學位論文

臺灣國際關係議題海報創作

Poster Design of Taiwan’s International Relations Issues

指導教授 : 黃鐉津

摘要


臺灣自解嚴後,由於社會逐漸邁入國際化與多元化,加上本土文化的自覺和反思,人們開始對於臺灣的歷史定位有了更深刻的認識,但在險峻的國際局勢下,臺灣在國際社會上的爭議卻不斷增生,如主權爭議和外交問題等;因此本創作研究盼透過海報之視覺意念表現來提昇臺灣的主體意識,並反映出臺灣的國際困境,對現代社會提出批判和省思,以期望達到下列三項目的:(1)透過後現代的設計風格,使用在地的特徵和意象,引發國人對於現代社會的反動和自覺。(2)藉由臺灣國際關係議題的創作,讓國人省思臺灣歷史文化的脈絡和價值。(3)運用海報的表現形式,突顯臺灣在國際社會上的弱勢和現況,提醒國人對臺灣主體意識的省思。 另一方面,將創作主題「臺灣國關係議題」的文獻收集分成三個部分,探討臺灣在主權爭議、國際地位和外交策略下所衍生的國際問題,且觀察臺灣在後現代的社會現象和臺灣設計師在社會、政治等議題上後現代風格的創作表現,經由整理和歸納後現代視覺設計風格的運用,將其視覺表現手法運用在海報設計上,並採用在地的特徵元素做為創作表現,期盼藉由海報創作的意念傳達,突顯出臺灣在國際舞台的弱勢和現況,最終透過海報創作的展出,引起觀者對於此議題的反思及共鳴,並能審慎思考臺灣的未來。

並列摘要


After Martial Law was abolished in Taiwan, Taiwanese society gradually became internationalized and diversified. This, coupled with local cultural consciousness and reflection, people in Taiwan began developing an in-depth understanding of Taiwan’s history. However, the unclarity of Taiwan’s international position has caused substantial controversy in the international community, such as disputes over sovereignty and diplomatic issues. The purpose of this creation is to enhance Taiwan's consciousness, reflect on Taiwan's international predicament, and to criticise and reflect upon issues stemming from Taiwan’s international relations through poster design. The present study contains the following three objectives: (a) To stimulate Taiwanese people’s reaction and awareness toward modern society using a post-modern design style and local characteristics and imagery; (b) to enable Taiwanese people to reflect on the context and value of Taiwan’s history and culture by promoting issues on Taiwan’s international relations; and (c) to create posters that emphasize Taiwan’s the present conditions disadvantages as a part of the international community, facilitating Taiwanese people in independently considering concepts relating to The Taiwanese Consciousness. A literature review was conducted on three primary issues stemming from Taiwan’s international relations: sovereignty disputes, international status, and foreign policies. Subsequently, the present study further examines the following aspects: (a) the post-modern society phenomena and the post-modern creation approaches that local designers’ employ to resolve social and political issues; (b) the summarization and compilation of methods to implement post-modern visual design; and (c) the employment of relevant visual representation methods for poster designs. Furthermore, local characteristics and elements are adopted as creative representations to convey the meaning of the poster. By displaying ideals through post-modernism visual representation, the current condition and disadvantages of Taiwan in the international community is highlighted; thus, stimulating the viewers’ sympathy and reflection and raising their awareness of Taiwan’s future.

參考文獻


吳宗諶,2010,《「台風.以XX之名」海報設計創作》,國立臺中技術學院商業設計研究所論文。
鄭有耀,2006,《後現代主義之電腦疊文風格在視覺設計上之創作研究與應用》,國立臺灣師範大學設計研究所論文。
謝佳穎,2007,《運用視覺設計觀點探討後現代社會現象》,國立臺灣師範大學設計研究所論文。
專書(依筆畫排序)
Quentin Newark 著,張晴雯 譯,2003,《何謂平面設計?》,台北縣:視傳文化。

被引用紀錄


周威廷(2015)。墨視—社會議題海報創作論述〔碩士論文,國立臺中科技大學〕。華藝線上圖書館。https://doi.org/10.6826%2fNUTC.2015.00048

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