「當風出水」以手繪動畫展演中國古典詩詞情境

在數位內容領域，動畫作品可傳遞鮮明的文化氣息而達到文化交流的目的。也能成為商業運作的媒介，甚至在全球娛樂市場中獲利。因此，動畫可視為一個國家文化發展的時代性產物，同時也扮演孕育時代文化的推手。本創作以展演中國古典詩詞的故事情境與文化美學為主軸，希望將古典文學作品透過多媒體學習內容的形式，傳達給外籍人士。令閱聽者在學習進階華語的過程，能因視覺媒體的輔助而強化知識認知，並且漸次培養欣賞中國古典詩詞的文化美感之能力。據此，本創作以蘇軾─水調歌頭做為以手繪角色動畫，揣摩作品中的主角被貶官與思念手足之情的複雜心境為啟始。再以劉禹錫─烏衣巷為主題，結合場景光影與動態圖像層次感，敘述烏衣巷由繁榮至衰敗的時代更替，藉由緬懷今昔勾起對人生在世的反思。范仲淹─漁家傲為主題，描繪將士固守邊關的辛勞，以及借酒排解鄉愁卻難以開懷的苦悶之情。創作過程，藉由文獻探討得以分析、歸納與參考前人的詩詞賞析論述。接著以情境分析法就作品的歷史背景、生活文化、作者體悟等訊息發展情境元素，並逐步形成主題故事板。在完成角色、物件、場景等的描述與視覺設定後，以2D或混合3D繪圖技術，再現原作直觀情境的主題動畫。經過後製作業並與文本學習內容整合後，其成果多能呈現融合傳統與現代的文化元素，有助於當下的外籍學習者，領悟與感受古典詩詞的意境與美感，並進而應用在與華人的溝通中。

關鍵字

手繪動畫；古典詩詞；直觀情境展演；情境分析；進階華語

並列摘要

In the field of digital content, animation can be used to deliver a distinctive cultural diversity and cultural exchange purpose. In addition, it can become a broadcast media for the commercial event, and even be profitable in the global entertainment market. Therefore, the animation can be regarded as the product of the times of a national cultural development. At the same time, it also plays the promoter of contemporary culture. The creation is issued on the situation and cultural aesthetics of classical Chinese poetry. The author hopes to convey the classical literature to foreigners through multimedia learning content. Readers can enhance the knowledge awareness by the visual media in the process of learning advanced Chinese. Simultaneously, they will bring up the ability of savoring the cultural aesthetic feeling of Chinese poetry in gradual. Accordingly, the creation first set the Su Shi ─ Shuidiaogetou, Prelude to Family-The Mid-autumn Festival, as the theme for the hand-painted character animation. It tries to figure out the complex mind of the poetry protagonist who was demoted and missed the brotherhood. Secondly, the theme Liu Yu-xi ─ Wuyi Lane is combine the scenes with shadows and multi-level of dynamic graphs, describe the change of the time about the Wuyi Lane from prosperous to impoverished, through cherish the memory of past and present that inspire the deep reflection in human life. Finally , the theme Fan Chung-yen ─ Yujiaao is describe the toil of the soldiers who tenaciously stick to the frontier, and drown their homesick and depressing in drink. In the creation process, the author referred to exiting poetry appreciation through literature review with analysis, induction and extraction methods. Then, the author applied the situated analysis on the works of historical background, ancient cultural life, and the experience of literati to develop the situated elements and storyboard. After the definition and visual design of roles, objects an scenes, the animation of intuitive situation representation was implemented by 2D and 3D graphics technique. Eventually, the multimedia were done in post-production and combined with the text of learning content. The results are able to present the integration of traditional and modern cultural elements, which can help second language students to comprehend and feel the situation and aesthetic feeling of classical poetry when they communicate with Chinese.

並列關鍵字

Hand-painted animation ； Classical poetry ； Intuitive situation presentation ； Situated analysis ； Advanced Learning Chinese as a Second Language. ； Hand-painted animation ； Classical poetry ； Intuitive situation presentation ； Situated analysis ； Advanced Learning Chinese as a Second Language