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  • 學位論文

音樂錄影帶中的形式與風格:以台灣印象的音樂錄影帶創作為例

Form and Style Of Music Video:A Case Study of Taiwan Image Music Video

指導教授 : 林媛婉
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摘要


獨特的台灣語境創造出與西方世界迥然相異的台灣音樂錄影帶,它呈襲著古老大中華文化與美日的影響,以其特有的旋律節奏、畫面構思、審美的追求,顯示其與歐美的音樂錄影帶有著不同的文化韻味。這也是促使筆者研究本論文的動機,藉著有系統的文化分析與視覺符號,探討台灣音樂錄影帶的文化蘊涵。 近年台灣的本土音樂與符號不斷的推行與重視,音樂錄影帶作為一種結合設計與商業的跨領域媒體,新一代視覺傳達設計者要如何使用此媒材提昇閱聽者對新型態台灣音樂與視覺符號的印象,是本文想要探討的議題,也是筆者創作的中心理念。 本創作論文依循創作者的創作理念,以臺灣音樂錄影帶為主題,音樂取樣來自臺灣的本土創作音樂。本創作主要依循三位音樂創作者劉紹希先生、林強先生與音樂創作樂團78bpm的音樂創作理念與內容為發想,共創作了三支音樂錄影帶。分別完成了以個人角度,結合2D與3D影像的《走相逐》;描述筆者兒時夢境並以影像紀錄的創作《八神鳴》;以及觀察台客生活的風格並VJ即時影像創作的《霓視虹》。這三支音樂錄影帶融合了台灣文化特有的視覺符號意象,採用音樂錄影帶作為創作媒材,建構屬於筆者的形式與風格,希望藉由此創作能提供給音樂錄影帶創作者不一樣的思維。

並列摘要


The purpose of this thesis is to explore local Taiwanese cultural elements in music video. Personally, I found Taiwanese music video has been strongly influenced by Japanese and Western pop music. My motivation is to search local Taiwanese visual elements and apply to my own design works. Music video has become a popular and expressive form for visual designers. In recent years, there are a number of directors that create various styles of music video. In order to explore the current creative energy in the field, I analyze the works of six Taiwanese music video directors. I found that most of their works have to collaborate into the commercial purpose of the music market. The artistic style of each director is therefore limited and visual expression usually follows the pop market. As a young visual designer without commercial consideration, I wish to explore local cultural elements and create a personal visual expression. I would like to present a different visual code to challenge the current commercial music video, and provide alternative visual form for viewers. There are three pieces of music video in this thesis. the first one is to related to a local Taiwanese ethnic Hakka cultural group. I research the specific symbols such as floral image and clothing, to represent as a metaphor of such group. I use 2D visual effects combine with 3D animation for the music video. The second work is a record of a local religious carnival which also reflects my Christian childhood nightmare. The third work is to apply visual jockey technique to present the neon cultural phenomena of urban Taiwan. Using these three music videos, I try to give a personal definition of Taiwanese cultural experience.

並列關鍵字

Music Video Visual Code Taiwan Music Visual Design

參考文獻


劉紀蕙(2006),文化的視覺系統Ⅱ:日常生活與大眾文化,麥田出版,台北
Mirzoeff,N.(1999),An Introduction to Visual Culture, USA and Canada : Routledge.
Manchester University Press.
Allen,R.C.(1993),電視與當代批評理論,李天鐸譯,遠流出版,台北。

被引用紀錄


劉興鴻(2014)。媒介的感官偏向與流行音樂傳播–以張惠妹為例〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846%2fTKU.2014.00602
王翠英(2013)。MV置入性行銷中的品牌聯盟效果之研究〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846%2fTKU.2013.01040
鄭羽軒(2011)。《無聲/Voiceless》-電影蒙太奇形式運用於音樂錄影帶之創作研究〔碩士論文,崑山科技大學〕。華藝線上圖書館。https://doi.org/10.6828%2fKSU.2011.00074
林家寶(2013)。音樂意象的影像建構 ─ 以反映社會現象的音樂錄影帶創作為例〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-0801201418030015

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