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  • 學位論文

滲透: 文學之言譔與自我解構之意象

The Permeability: Statements of Literature and Self-Deconstruction of Imagery

指導教授 : 黃怡雯

摘要


「滲透」:在生物學上之釋意為高濃度之水溶液透過細胞膜漸向較低濃度之水溶液擴散。當我們的心思只呈現單薄的思維時,文字的奧秘,就似在高濃度之水,漸進式的蔓延進駐在我們的腦海裡,它的意境、情感,容易令人為之動容,是一抹微笑、是淡淡哀傷,這居中的渲染力足以使我們在文字與情感的臨界點上一觸即發。當下意識開始作用,腦海裡隱約呈現出的畫面,這些畫面並非直接從文字中賦予與你的原始印象,而是藉由透過文字與自我思緒的重整後,所語匯出的新思維,它帶有某種象徵性、某種隱喻性。 在一系列的創作內容,攫取以文學中之詩句、箴言來作為主要的形式架構, 當中引用了英國文學家莎士比亞十四行詩、美國女文學家艾蜜莉.狄金生之詩選、法國文學家雨果之詩選、捷克文學家卡夫卡以及結合從喜劇文學與悲劇文學的觀感角度來傳遞不同的創作形式,當文字與思考模式相串聯融合於創作上,情緒的轉折,一種由內而外的能量釋放,心理所感受到的衝突點,是我想再進一步鑽研的一種理念,藉採用由木製材料、自動技法、版畫形式及複合媒材拼貼方式,來詮釋一種屬於文字與自我心境中的情感轉述。 關鍵字:滲透、文學、自動技法。

並列摘要


In biology, the term “permeability” refers to aqueous dissolution from liquid with high intensity to that with lower one through cell membrane. When the phenomenon of simple-mindness appears in us, the abstrusity of words instills gradually into our minds just like the biological permeability. What is at stake if that the imagery and the mood could touch us more easily like a smile or a sentimental atmosphere in which the sensations can be triggered and prevail throughout the language. When the subconscious begins to function, the imaginary gradually looms up in our minds not in the literal form of original impression brought out by language, but through the rearrangement of words and our reflections. The result of the rearrangement renders possible the symbolism and the metaphors. In the course of writing, I borrow some sentences and aphorism as the formal structure from some literary works, such as Shakespeare’s sonnets, American female writer Emily Dickinson’s poetry, the poetic collection from Victor Hugo, and the Czech writer Franz Kafka’s literary works. I aim to convey a different perspective of creative form which combines both the comedy and the tragedy. When the integration of words into thinking patterns appears in the course of creation, a kind of energy is released from inwards to outwards as well as internal conflicts. The above is what I would like to further, by means of wooden materials, automatic techniques, prints and materials collage style, in order to interpret the text and my internal emotion. Keywords: Permeability, Literature, Automatic techniques

參考文獻


中文參考書目
1. 李醒塵(2000)。西方美學史教程。台北:淑馨出版
2. 林鬱(1984)。尼采語錄。 台北:智慧大學
3. 尼采(1971)。悲劇的誕生。 (劉崎 譯) 台北:志文出版社
4. 尼采(1969)。瞧!這個人 。(劉崎 譯) 台北:志文出版社

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