戲曲聲樂發聲法初探

A Study on Voice Production Method for the Traditional Chinese Opera

蔡淑慎(Shu-Shen Tsai)

《臺灣戲專學刊》 9期 (2004/07) Pp. 367-387

https://doi.org/10.7021/PAJ.200407.0367

摘要

本文是以西洋聲樂理論運用於中國戲曲用嗓的研究，希望能將中西歌唱藝術融會貫通，互為所用。西洋聲樂理論以系統性、科學性的方式，研究人聲音樂的發聲原理。戲曲是中國傳統的表演藝術，在「唱」功的運用上獨樹一格、豐富多樣。本文將在中國戲曲藝術傳統的基礎上，結合中西歌唱藝術的方法和經驗，系統性、科學性的建立戲曲聲樂理論。由於篇幅有限，本文僅從戲曲聲樂的發聲原理、發聲訓練、真假聲運用等方面分別探討之。

關鍵字

戲曲聲樂 ； 聲帶 ； 共鳴 ； 聲區 ； 音聲醫學 ； 真聲 ； 胸聲 ； 假聲 ； 頭聲

並列摘要

The study focuses on the application of western voice production theory to Chinese opera singing, and hopes to combine the western and eastern singing arts comprehensively together. The western voice production theory uses systematic and scientific method to study human voice. Chinese opera is one of the traditional performing arts, which uses unique singing method that produces a variety of its voices. Based on the tradition of Chinese opera arts, this paper combines western and eastern method and experience of singing arts to build the theory of voice production in Chinese opera scientifically and systematically. Because of the limit of the length on this paper, the study shall only focus on the principle of voice production, training of voice production, and application of head voice and chest voice.

並列關鍵字

The vocal of Traditional Chinese Opera ； vocal cords ； Resonavce ； register ； Phoniatrics ； Chest voice ； Head voice