魏裔介(1616-1686)為清初理學名臣,關於他的文學活動與文學思想,長期以來學術界鮮有關注。質際上,魏裔介在文學活動方面,不僅勤勉為文,喜好弄筆,編選刊刻多種詩文選本,而且與諸階層文人均有詩文唱酬,往來頻密。另外,自身詩文創作亦能做到發抒性情,風格醇雅。在文學思想方面,他不僅在「道主文從」的前提下肯定了文學的獨立性,在融合「性情之正」和「性情之真」的基礎上倡導「真詩」,還對文學與時代的關係、創作主體的素質以及作文閱詩之法等問題進行了具體深入的思考。結合魏裔介其時位高權重的社會地位和在清初文壇中的社會影響,本文認為,魏裔介的文學成就既反映了明末清初文風的轉變,又帶有明顯地為盛世文風樹立典範的功利色彩。
Wei Yi-Jie (1616-1686) was a well-known Neo-Confucianist in the early Qing Dynasty. His literary activities and thought have long been ignored in the academic circles. As a matter of fact, he was not only a diligent writer, contributing a great deal in editing and inscribing literary collections, but also chanted and composed verses adopting the same rhymes and sequence with scholars of different kinds. Expressing personal feelings truth fully, he composed poems and prose with an elegant style. He stressed the autonomy of literature on the bas is of ”Wen subjecting to Tao”. He introduced the notion of ”true poem” based on the value ”true temperament”. In addition, he had some deep thinking on the relations between literature and the era, between literary quality and the disposition of the writer. He also articulated his views on poetry appreciation. Giving the consideration to his prominent social status and his influence to the literary circles of his time, this study state s that Wei Yi-Jie's literary achievement both reflected the transformation of the literary style of the end of Ming and early Qing Dynasty, and set a model sty le for a grand age.
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