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蕭邦g小調第一號敘事曲

Chopin's "Ballade No.1 in g Minor, Opus 23"

摘要


對任何演奏者而言,不論演奏何人之作品,欲將一首曲子詮釋至最佳境界,必須先了解作曲家的性格、喜好及曲子的內容,盡可能接近作曲家的感受。本文藉由g小調第一號敘事曲就蕭邦之創作背景、教學方法、曲式、詮釋等各方面逐一探討。經過此種探討,可以得知蕭邦g小調第一號敘事曲的創作背景為受到波蘭詩人凱維奇敘事詩的影響,其個人之創作心境為舒發愛國情操,此首敘事曲之風格偏向古典樂派奏鳴曲形式。演奏者在明瞭該曲之曲風之後,定能將此首廣為人知之鋼琴獨奏曲演奏得更出神入化。

並列摘要


For a performer, regardless of who the composer is, in order to interpret a piece to its fullest expression, one must spend time to gain insights to the composer's personality, preferences and the content of the composition, and try one's best to achieve intimacy with the composer's feelings. This thesis explores Chopin's creative background, teaching method, musical form and expressions, through Ballade No.1 in g minor, Opus 23. In this exposition, we come to learn that the creative background to this piece was heavily influenced by the Polish poet, A.B. Mickiewici (1798~1855), expressing his patriotic spirit and, hence, the music leans toward classical sonata form. As one reaches an understanding and appreciation of the music's character, it enables the performer to express this well-known music piece to its fullest.

參考文獻


Chopin, F.(1998).Ballades, Paderewski Edition. Cracow.Poland:PWM Printing Works.
Francois, S.(2002).(Chopin, (1955-1956). France (2002): EMI Classics 724357544021).
Goulding,P. G.、雯邊、鄭朔譯(1996)。作曲家排行榜(中)-古典音樂入門。台北:世界文物出版社。
Holland,J.、程鷹譯(1985)。蕭邦鋼琴教學法。全音音樂文摘。10(7),130-134。
Michelangeli, A.(1972).(Frederic Chopin 10 Mazurkas, etc. (1972). Hamburg, W. Germany (1972): Polydor 413449-2).

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