- 期刊
Fu Shan's World: The Transformation of Chinese Calligraphy in the Seventeenth Century. by Qianshen Bai
被引用紀錄
劉洋名（2004）。笪重光（1623-1692）及京口地區的收藏與書風研究〔碩士論文，國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2004.02354
延伸閱讀
- 林澤芸（1968）。A study of the historical works of Wang Chuan-shan, 1619-1692〔碩士論文，香港大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0029-1812201200012025
- 趙太順（2013）。How Su Shi's Calligraphy Trend of Self-Expressin Was Influenced by the Confucianism, Buddhism and Taoism。書畫藝術學刊，(15)，55-80。https://www.airitilibrary.com/Article/Detail?DocID=a0000303-201312-201401130017-201401130017-55-80
- 林香琴（2014）。An Exploration of Pu Hsin-Yu Academic Works of Calligraphy in Taiwan and Relationship with the Qing Court。藝術研究期刊，(10)，37-65。https://www.airitilibrary.com/Article/Detail?DocID=19968019-201412-201503060020-201503060020-37-65
- 陳思婷（2020）。A Study on the Style of Taiwan Calligraphy and Painting in the Late Qing Dynasty。書畫藝術學刊，(28)，91-103。https://www.airitilibrary.com/Article/Detail?DocID=a0000303-202006-202009250015-202009250015-91-103
- 蔡顯良（2009）。The Must Way to Learn Chinese Calligraphy-The New Exploration of Calligraphy from Yan Zhan-Qing's Art and Song dynasty。書畫藝術學刊，(7)，121-136。https://doi.org/10.29831/TDPC.200912.0006