- 期刊
牙買加．金凱德的（後）殖民政治寓言：表演或憤怒？
Native ＂Rage＂ as a Performative Strategy in Jamaica Kincaid's (Post) colonial Fiction
被引用紀錄
Yang, L. C. (2013). 想像重構加勒比海女性主體：論牙買加•金凱德的母女三部曲 [master's thesis, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU.2013.02136
延伸閱讀
- Maehder, J. (2013). 彭德瑞茨基的《盧冬的惡魔》－論歐洲前衛音樂劇場之戲劇質素與音樂結構. 哲學與文化, 40(1), 109-138. https://www.airitilibrary.com/Article/Detail?DocID=10158383-201301-201302200001-201302200001-109-138
- 許靜瑛（2017）。地窖裡的笑聲：〈賽克羅普斯〉中的修辭過剩與病徵國族主義。中外文學，46(4)，97-130。https://doi.org/10.6637/CWLQ.201712_46(4).0004
- Chun, L. Y. (2019). 語言與後殖民主體：J.M. 柯慈《屈辱》中的權力倒轉 [master's thesis, National Chengchi University]. Airiti Library. https://doi.org/10.6814/NCCU201900778
- Zhang, S. (2021). Communication Effect Research on the Anti-Racist Thought of African Americans. International Journal of Social Science and Education Research, 4(10), 476-487. https://doi.org/10.6918/IJOSSER.202110_4(10).0075
- 傅士珍（2022）。On the Road to Liberation: Class and Racial Justice in Native Son。英美文學評論，(40)，29-53。https://doi.org/10.6711/REAL.202206_(40).0002