This article discusses Chen Ying-Zhen's ideas of salvation in three of his works of fiction: "Brother He", "Mountain Road", and "Zhao Nan Dong." First, it analyzes the common structure of these three fictions. Secondly, it investigates the writing strategy of Chen's "sacrifice-canonization" logic, which unveils how he establishes "personality scale" for his protagonists. Thirdly, the case is made that each of these three works exhibit hidden secrets of Chen's ideology, i.e. "Mountain Road" implies the absurdity of "happy fault (Felix culpa)" and Chen's socialist ideology but in fact is merely a substitute for Christian Messiah historicism.