透過您的圖書館登入
IP:3.237.44.242
  • 期刊

新經濟時代地方文化產業發展之研究-以鶯歌陶瓷文化產業為例

The Local Cultural Industry in the New Economic Era-Study of Ceramic Cultural Industry in Yingge

摘要


新經濟時代之產業結構,因全球網絡資訊傳播、資本流動快速、跨國企業及金融體系之建立,造成經濟結構、社會及文化形態的轉變。高科技產業、生產服務業及文化產業成為新經濟時代主要之產業結構。由於「地方特性」的不可取代及在地經驗累積,造成地方特色產業之獨特性及競爭力關鍵。因此「全球化」(Globalization)及「在地化」(Localization)在新經濟時代是彼此互為依存關係的兩個主體,這種新的名詞又稱為全球地方化(Glocalization),而文化產業的經濟價值也在於其「地方特殊性」的保存,而得以在全球同質化商品市場中脫穎而出,成為具有再生經濟價值的產業。 地方文化產業在面臨全球化市場及產業結構轉型之雙重影響之下,由地方特色、地方氛圍及地方經驗所組成的文化產業,因其獨特性、地域性及不可取代之特性,在新經濟時代的經濟空間發展趨勢中,形成特殊的且具有獨佔性競爭力的創新學習產業特區。 本研究鑒於鶯歌地方陶瓷文化豐富的人文及藝術價值,在新經濟時代的產業結構變革下,面臨產業轉型的困境,因此擬針對地方文化產業的發展特色及後現代消費主義的風潮,提出新經濟時代地方文化產業的發展基礎及鶯歌陶瓷產業未來發展的方向。

並列摘要


The New Economy-fueled by the Swift exchange of information through the Internet, the ease of capital mobility, and the rapid growth of global corporations amid financial institutions-has transformed society amid culture. The high-tech, service, and cultural creative industries have become the dominant industries of the New Economy. The irreplaceable regional character and inherited history of cultural creative industry products offer unique competitive advantages in the marketplace. Regional character has value in the New Economy. The cultural creative industry depends on regional character. Regional character is w hat differentiates cultural creative industry products from highly homogenized global products and invests the former with value. The cultural creative industries, amidst globalization and transformations in industrial structure, depend upon regional character mid regional experience. The unique, irreplaceable, regional character of the culture creative industries offer a distinct competitive advantage for industries engaged ill innovative learning processes. This study is based on three observations: (1) the renovation of industrial structure in the New Economy. (2) the emerging trend of regional cultural creative industries, and (3) the rich content mid high artistic value of the local ceramics industry in Yingge. The first two observations need new guidelines. We propose guidelines for developing regional cultural creative industries within the New Economy, and a blueprint for developing the ceramic industry in Yingge.

參考文獻


王振寰(1999)。全球化,在地化與學習型區域:理論反省與重建。台灣社會研究季刊。34,69-112。
Amin, Ash,N. Thrift(1994).Globalization, Institutionalization, and Regional Development.NY:Oxford University Press.
Daniels P.W.,Bryson J.R.(2002).Manufacturing Services and Servicing Manufacturing: Knowledge-Based Cities and Changing Forms of Production.Urban Studies.39(5-6),977-991.
Friedman, Jonathan,M. Featherstone (ed.)(1990).Global Culture-Nationalism, Globalization and Modernity.London:SAGE.
Jeffrey C. Alexander,Steven Seidman(1990).Culture and Society: contemporary debates.Cambridge University Press.

被引用紀錄


蔡婉君(2008)。博物館標識的視認性與識別性之研究〔碩士論文,中原大學〕。華藝線上圖書館。https://doi.org/10.6840%2fcycu200800457
陳若怡(2008)。志工在地方博物館經營策略中所扮演的角色--以台北縣鶯歌陶瓷博物館為例〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835%2fTNUA.2008.00060
温建吉(2017)。創意修補/固著的青黃半接:以臺北市寧夏路木材產業為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342%2fNTU201703787
謝旻育(2017)。從地方到網絡,稻田裡的餐桌計畫─農村社企「幸福果食」的組織網絡〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342%2fNTU201701674
呂學記(2014)。新北市改制後之發展策略〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342%2fNTU.2014.01915

延伸閱讀