中國詩詞應用於旗袍創作之研究

中國詩詞以其深厚的文化美學而著稱。本研究期以旗袍創作表達中華文化之美。過去有關旗袍的創作設計，多著墨於花卉、圖騰、漢字或青花瓷等具象文物的直接應用，對於抽象涵義的詩詞歌賦則較少被使用。中國詩詞富含深度文化之美，因此，本創作以宋代文學家蘇軾的詩詞「水調歌頭」做為創作靈感來源，設計者將詩詞之美，透過服飾工藝技巧，展現於旗袍作品上。在COVID-19肆虐全球的時刻，「永續與資源共享」的概念落實於生活中，本創作藉由環保永續素材，詮釋社會責任及人文層次之時尚美感。研究者運用習慣領域理論，藉由設計思考的「轉換」、「轉變」與「轉化」，將「水調歌頭」詩詞中「樓、思、寂、圓」之意象，轉換到富有深層意境的旗袍設計上。希望本研究所架構之「詩詞意境轉換設計模式」，有助於服裝設計師找到新的創作路徑。

關鍵字

詩詞；旗袍；永續設計；設計過程

並列摘要

Chinese poems are renowned for presenting the depth of aesthetics of the culture. In this study, the researchers hope to express the beauty of Chinese culture through cheongsam creation. In the past, cheongsam design mostly involved the direct application of distinct cultural symbols, such as flowers, totems, Chinese characters, and blue and white porcelain; poetic writings with abstract meanings are seldom employed in cheongsam design. Chinese poems are culturally rich. Using the ＂Prelude to Water Melody＂ by Su Shi (a great poet of the Song Dynasty) as their source of inspiration, the researchers hope to illustrate the beauty of Chinese poems by presenting the poem's contents on cheongsam through apparel arts techniques. In this age where the COVID-19 pandemic is wreaking havoc globally, this work represents a real-world implementation of the concepts of ＂sustainability and resource sharing.＂ It also represents an interpretation of social responsibility and fashion aesthetics at the humanistic level, expressed through environmentally friendly and sustainable materials. During the design process, the researchers hope to transform the images of the ＂building, thinking, lonely, and completion＂ in Prelude to Water Melody into cheongsam designs with deeper meanings, through the ＂conversion,＂＂transformation,＂ and ＂change＂ of design thinking. The researchers hope that the design conception transformation model established in the current study could assist apparel designers in finding novel creation pathways.

並列關鍵字

Poetry ； cheongsam ； sustainable design ； design process

國際替代計量

中國詩詞應用於旗袍創作之研究

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