作為鬼怪的文字與筆墨：論丁成的詩與畫

The Ghostly Texts and Images: On Ding Cheng's Poetry and Paintings

楊小濱(Yang, Xiaobin)

《臺灣詩學學刊》 36期 (2020/11) Pp. 67-100

摘要

本文綜論中國詩人、畫家丁成的詩歌和繪畫創作，參照拉岡、德希達、詹明信、洪席耶等理論家的相關學說，分析他的作品如何通過對鬼怪形象和鬼怪文字的營造，顛覆了神聖大他者符號秩序的宰制。文章亦論及丁成的詩歌與繪畫創作之間的關係，以及丁成的詩歌與繪畫創作與中國／西方（後）現代主義經典傳統之間的關係。

關鍵字

丁成 ； 鬼怪 ； 詩與畫 ； 抽象詩

並列摘要

In this essay, I analyze the poetry and visual art works of Ding Cheng, a Chinese poet and painter, in the light of the theories of Lacan, Derrida, Jameson and Ranciere, and examine how his works, by creating demonic images, subvert the domination of the symbolic order of the holy Other. My discussions also include the relationships between Ding's poetry writings and paintings, as well as their relationships with Chinese/Western (post-)modernist traditions.

並列關鍵字

Ding Cheng ； demons/monsters ； poetry and painting ； abstract poetry

參考文獻

Jacques Lacan, The Seminar of Jacques Lacan, The Sinthome, Book XXIII, ed. Jacques-Alain Miller, trans. A. R. Price. Cambridge: Polity, 2016.

Jacques Rancière, The Flesh of Words: The Politics of Writing, trans. Charlotte Mandell. Stanford: Stanford University Press, 2004.

Slavoj Žižek, How to Read Lacan. London: Granta Books, 2006.

Slavoj Žižek, The Plague of Fantasies. New York: Verso, 2008.

丁成：《語言膏》，臺北：秀威出版社，2019。