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失能詩美學探勘

The Aesthetics of Disability Poetry

摘要


失能詩的寫作雖不從現在才開始,但它的崛起卻是在上個世紀末的美國。晚近臺海兩岸詩壇也開始出現失能詩寫作。作為一種現代詩的運動,失能詩出於它想挑戰長久以來人們對於失能(disability)的刻板印象,倡言失能者自身的經驗,從而探索從「異常的」(abnormal)身心的視角所產生的新詩形的可能性。本文乃從失能研究(disability studies)的角度,考察晚近這些失能詩的表現:失能詩作到底呈現了何種美學特色。

並列摘要


Although disability poetry rose in the United States at the end of the last century, it emerged in the poetry circle on both sides of the Taiwan Strait recently. As a type of movement in modern poetry, disability poetry seeks to challenge people's long-standing stereotypes of disability, to celebrate disabled experiences, and to explore the possibilities of new poetic forms that are generated from the perspectives of "abnormal" bodies and minds. This article investigates the performances of these recent disability poems in light of disability studies, to ask: what kind of aesthetic characteristics are presented in the disability poems.

參考文獻


王達:〈井芬清:以詩為馬救贖心靈〉,《中國青年報》,2019.9.6。http://big5.xinhuanet.com/gate/big5/www.xinhuanet.com/local/2019-09/06/c_1124966241.htm;瀏覽日期 2020.11.22。
余秀華:《月光落在左手上》(台北:印刻,2015)。
余秀華:《搖搖晃晃的人間》(台北:印刻,2015)。
岩上:《詩病田園花》(台北:致出版,2020)。
莫那能:《美麗的稻穗》(台中:晨星,1989)。

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