設計．道－－上海之原相

Design & Tao: The Phrase of Originality in Shanghai

登琨艷(Teng, Kun-yen)

《城市與設計學報》 24期 (2019/06) Pp. 155-167

https://doi.org/10.30008/CD.201906_(24).0006

摘要

作者將生命旅程與專業設計結合，將個人對於老莊與佛教的生命理解，化為實際設計哲學。從退場開始，在上海還是一片渾沌之際，作者以其工作室為另個起點。作者以三個上海設計案為例，述其性格、生命、時間、空間等秉持之“道＂，體現在顯露結構本體、材料抉擇、建築形象及空間挪移上；更重要的是，對佛道哲理的感悟──虛實、內觀、無邊、眾生平等，將之轉譯為空間設計語言。見設計如見人，散而成章，合而成體。

關鍵字

建築設計 ； 上海 ； 老莊 ； 佛學 ； 時空觀

並列摘要

The author tried to combine the two phrases of his life process and professional design. He transformed the Taoist and Buddhist ideas, what he understood, to design philosophy. It begun from his studio in Shanghai. In the three cases in Shanghai, the author presents his design philosophy: (1). What's the ＂Tao＂ of his personality, life, time, space. (2) and how to embody in structure, material, architecture image, space. (3) by the philosophy of Taoist and Buddhist, such as the mixture of truth and falsehood, vipassana, boundless, equality of all beings, he transformed those into the languages of design. Those cases seem some different papers, on the same time it's just one idea.

並列關鍵字

Architecture Design ； Shanghai ； Taoist ； Buddhist ； Space-time Concept