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原民書寫中的殖民意識與現代性―以田雅各、夏曼•藍波安為例

The Colonial Conscious and Modernity in the Aboriginal Writing-Tien Ya-Ko and Hsia-Man Lan-Po-An, for Example

摘要


上一個世紀九○年代以來的原民書寫,始終纏夾在對政治權力、歷史詮釋和社會生存的問題之中,然此三者實與近代西方文明所建構的現代性及由其形成的殖民主義歷史密切相關。因此,通過對田雅各與夏曼•藍波安這兩位當代原民作家書寫中的現代性與殖民意識爬梳,一方面可以釐清後殖民主義在台灣文學與族群意識中衍生的問題,另一方面則可以重新思考文化霸權的幽靈是如何在意識型態國家機器裡重生,從而為台灣文化的多元論述提供更具寬容性的解構可能。

並列摘要


The aboriginal writing in the 90s used to be involved in the problems of political power, historical explanation and social existence that were closely related to the modernity and colonialism history established and formed by the modern western civilization. Going through the modernity and colonial consciousness revealed in the writing of both modern aboriginal writers Tien Ya-Ko and Hsia-Man Lan-Po-AN not only helps to clarify the problems induced by the conflicts between post colonialism and ethnicity consciousness in Taiwan literature, but also helps to rethink how the ghost of culture hegemony could be reborn in the ideological state apparatus and finally provides the deconstruction possibilities for various discourse of Taiwan literature.

被引用紀錄


許劍橋(2023)。鄉醫/相依在她方──林義馨、吳佳璇作品中的離島醫療景觀與書寫視角國立臺灣科技大學人文社會學報19(3),243-265。https://www.airitilibrary.com/Article/Detail?DocID=18197205-N202309220009-00002

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