「我寫‧故我在」－論析殷宋瑋「棲身書寫」的存在形式

本文以新加坡華文作家殷宋瑋（原名林松輝，1965－）及其散文創作為論述對象，探討殷宋瑋「棲身書寫」的存在形式，並指出此乃新華文學中獨具風格的散文書寫。對殷宋瑋而言，木心（本名孫璞，1927－2011）與羅智成（1955－）是兩位對他的美感經驗的啟發與書寫技法的影響至關重要的作家。木心冷冽的思維與意象繁複的文字、別具蘊涵的審美情趣被殷宋瑋吸收與移植，構成他散文中「畫面與聲音」、「意象與情致」的有機結構。而具有「凜冽知性及高度自覺」的羅智成則是殷宋瑋長久以來渴望並追尋的理想文字的「教皇」，孜孜地演練其書寫技法，以至羅智成的理則學浸透入他的潛意識，無論感性的紀事或理性的思辨，殷宋瑋都極其謹慎地運用文字，務求把繁複的感知與綿密的思維轉化成「可感覺性」的語言，以建構其「棲身書寫」的特質；知性、敏感性、傾訴性，亦將潛意識裡的孤獨性與反思性熔鑄其中。因此，殷宋瑋的「棲身書寫」風格，在新華文學場中形成一道獨異的現代主義美學風景，至今無人與之類同。

關鍵字

棲身書寫；可感覺性；知感和諧；木心；羅智成；殷宋瑋

並列摘要

This paper examines Singapore Chinese Writer Yin Song-wei (pen name of Lim Song-hwee, 1965-) and his creative prose, focusing on ”Dwell in Writing”, as a form of writing style that inherently bases itself on the concept of ”existence”. In other words, the main discussion in this paper focuses on exploring Yin Song-wei's ”Dwell in Writing” as a unique writing style in Singapore Chinese literature. As to Yin Song-wei，Mu Xin（pen name of Sun Pu, 1927-2011）and Lo Chih-cheng（1955-）, both inspirational writers from mainland China and Taiwan respectively, who have significant influence on his aesthetic experience and writing techniques. With his critical sensitivity and complicated imagery, aesthetic standards and approaches, Yin has absorbed and diverted Mu Xin's phraseology, writing styles and aesthetic thought into his writing of prose, which made up the ”scenery and sound” as well as ”imagery and temperament” in his context of writing. At the same time, blooming with rational thinking, insights and with his high level of self-consciousness, Lo Chih-cheng's writing technique which is the ideal textual style Yin desired and pursued for long, and has been practising in hardship for years. To such an extent, Lo Chih-cheng's principle of thought has also penetrated Yin's subconsciousness. Be it in the chronicling of incidents and emotions or displaying of rational thinking, Yin takes utmost care of words and harmonious development of thought and feeling so as to have all these elements transformed into ”sensory” language forms, with the aim of constructing ”Dwell in Writing”, which may be characterised as rationality, sensitivity, confidence, as well as its solitude and reflectiveness in subconsciousness. Herewith, Yin's writing style, ”Dwell in Writing” represents unique scenery in its modernism as in the field of Singapore Chinese literature, without similarity to any other writers.