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  • 期刊

論蕭開愚詩作中的日常書寫與現實圖景

On the Daily Writing and Realistic Pictures in the Poetry of Xiao Kai-yu

摘要


本文以蕭開愚詩作中的日常書寫為核心,以及其詩如何與現實對話,甚而達到對自我的反省為主軸。本文第一部分首先從1990年代詩歌問題作為發端,探討其間對於詩歌效用的疑慮,以及詩歌所反映的現實被遮蔽的問題,並重新審視日常書寫與身分論的歸類。第二部分則以蕭開愚詩作中的日常書寫,探討了日常中的索然與奇詭、多層次的心理展現,以及對於生命本質的思考。第三部份則是從蕭開愚的詩作中,去挖掘個體與集體間的現實辯證關係,如何介入現實,並推回自我對於主體的重新認識與省察。

關鍵字

蕭開愚 90年代詩歌 日常書寫 現實 自我

並列摘要


This paper focuses on the everyday writing in Xiao Kai-yu's poetry, and how his poems dialogue with reality and even achieve self-reflection. The first part of the paper begins with the question of poetry in the 1990s, exploring the doubts about the usefulness of poetry and the obscured reality reflected in poetry, and re-examining the categorization of everyday writing and identity theory. The second part explores the everyday writing in Xiao Kai-yu's poems, exploring the strange and strange in the everyday, the multi-layered psychological expressions, and the reflection on the nature of life. The third part explores the dialectical relationship between the individual and the collective reality in Xiao Kai-yu's poems, how to intervene in the reality, and how to push back the self to reconnoitre and examine the subject.

並列關鍵字

Xiao Kai-yu 90s poetry daily writing reality self

參考文獻


于堅,《0 檔案》,昆明,雲南人民出版社,2004。
于堅,《于堅詩學隨筆》,西安,陝西師範大學出版總社,2010。
王光明,《現代漢詩的百年演變》,石家庄,河北人民出版社,2003。
王昌忠,《擴散的綜合性:20 世紀 90 年代詩歌寫作研究》,北京,人民出版社,2010。
余暘,《「九十年代詩歌」的內在分歧─以功能建構為視角》,北京,人民出版社,2016。

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