從康橋到康橋－徐志摩的跨國行旅和浪漫詩行

本文運用徐志摩的復原形象，研究其傳奇人生的一大決定面向：浪漫詩學與跨境行旅的互動。文章梳理他一生四次國際長旅：1922年自劍橋歸國、1924年陪同泰戈爾訪日、1925年歐遊、1928年11國環球行，細讀其途中詩作，凸顯其浪漫自我誕生的「心靈革命」性質與規模、被忽視的民族抒情、浪漫愛情追求的啟蒙心態，並將柔情飄逸的〈再別康橋〉解讀為傷逝之作，挑戰其流行的浪漫個人形象。從康橋到康橋，徐志摩在行旅與詩行之間，演繹情動心聲，銘刻詩人主體的誕生、衝鋒、挫折，以及危機與成熟跡象。其由此呈現的抒情世界，更為完整。跨文化是漢學研究前沿範式，五四情論與抒情現代性備受關注，徐志摩於此充分顯示個案價值，前提則是其浪漫世界的整體還原。

關鍵字

徐志摩；跨國行旅；浪漫詩行；情動心聲；從康橋到康橋

並列摘要

This article applies the restored image of Xu Zhimo to study one of the defining aspects of his legendary life: the dynamic interactions between his romantic poetry and his international travel. By covering his four major trips, namely, the returning journey from Cambridge in 1922, accompanying Tagore to Japan in 1924, European tour in 1925, and 11-leg global travel at the end of 1928, I aim to put forward some crucial yet overlooked aspects of Xu's conceptual world and lyricism so to challenge his popular image as a romantic individual. They include the following: the nature and scale of Xu's poetic birth at Cambridge as a "revolution of heart", his overlooked lyricism of cultural nationalism, his yearning for romantic love charged with enlightenment mentality, as well as his sense of crisis and mourning in Second Farewell to Cambridge predominantly read as classic lyricism of tenderness and grace. From Cambridge to Cambridge, Xu inscribed the birth, the charge, the setback, crisis as well as traces of maturity of his romantic self along the dynamic interaction between his travel and poetry. His poet image and lyrical world thus presented are more complete. The study of Sinology is ongoing a transcultural turn, and the affect discourse as well as lyrical modernity of the May Fourth have been attracting wide attention. Xu Zhimo will fully demonstrate his value for such approaches on the premise that his romantic world being fully restored.