「浮浪兒」的漂泊與越境：論黃瀛的日語詩歌創作

The Drifting and Crossing the border of "Drifters": On Huang Ying's Japanese Poetry

劉黎(Li Liu)

《中國現代文學》 42期 (2022/12) Pp. 71-97

摘要

「漂泊」貫穿了中日混血詩人黃瀛生涯的始終，並為其日語詩歌的創作提供了宏大的歷史語境，生成了「越境」的詩法與詩精神，賦予其作品跨文化、跨族際、跨語言、跨領域的文化間性。本文首先立足於地域意象的越境性特徵，對黃瀛詩歌創作的總體情況進行概述。二是採用文史互證的方法，對其創作思想的生成過程進行爬梳。三是採用個案分析法，對其越境書寫的策略進行文本分析；四是在文化間性的理論視角下，總結其詩精神的時代價值與意義。

關鍵字

黃瀛 ； 日語詩歌 ； 越境 ； 文化間性

並列摘要

"Drifting" filled the lifetime of Chinese and Japanese mixed poet Huang Ying, it also provided a grand historical context for his Japanese writings, produced the "cross-border" poetic method and spirit, and brought cross-cultural, cross-ethnic, cross-linguistic and cross-field interculturality to his writings. This article firstly shows the overall situation of Huang's writings, based on the cross-border characteristics of regional imagery. Secondly, the author sorts out the inspiration process of his creative ideas through a probe into the contexts of literature and history. Third, adopting the case analysis method, analyze the texts and delve into strategies of his cross-border writing. Fourth, is to summarize the time value and significance of his poetic spirit from the perspective of intercultural theory.

並列關鍵字

Huang Ying ； Japanese Poetry ； Cross-border ； Interculturality

參考文獻

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