《周易》陰陽美學於現代柴燒陶藝創作實踐之研究

柴燒陶藝在土、窯、火的相互作用下，柴薪落灰釉及火痕流竄呈現自然且不可預期的獨特美，傳統柴燒具有中國藝術、文化與歷史的背景價值，而現代意象形式美是本研究所追求的藝術創作形式。《周易》在中國美學藝術中均普遍被應用，是中國美學資源蘊藏最豐富的一種，其「陰陽」剛陽與陰柔變化論點也與柴燒受火痕與背火面所產生的陰陽變化相同。本研究以《周易》美學的基本範疇來發掘、分析對現代柴燒藝術創作中所產生創意思考靈感來源及形式意境，《周易》不但能陶冶人們的審美觀，提高審美能力，對創造美的工藝精品、甚至對藝術創作的人生仍有歷久彌新的意義和價值。本研究藉《周易》的美學意象來融入柴燒作品的美感，將傳統柴燒注入新的製作概念，並不斷地追求柴燒多元化的表現及藝術創作設計形塑之美。

關鍵字

周易；陶藝；形式美；美學意象；藝術創作

並列摘要

Under the interaction of soil, kiln and fire, the firewood and ceramics show a natural and unpredictable unique beauty. The traditional firewood has the background value of Chinese art, culture and history, and the modern image form beauty is the form of artistic creation pursued by this institute. ＂Book of Changes＂ is widely used in Chinese aesthetic art, and it is the most abundant of Chinese aesthetic resources. Its ＂Yin and Yang＂ Gangyang and Feminine Change arguments are also the same as the yin and yang changes caused by fire marks and backfire. This study explores and analyzes the inspiration and style of creative thinking in the modern wood-burning art creation with the basic categories of the aesthetics of Zhouyi. The Book of Changes can not only cultivate people's aesthetics, improve aesthetic ability, but also create beautiful crafts. The quality and even the life of art creation still have a long-lasting significance and value. This study uses the aesthetic image of ＂Book of Changes＂ to incorporate the beauty of the wood-burning works, injecting traditional wood-burning into new production concepts, and constantly pursuing the diversified performance of wood-burning and the beauty of artistic creation and design.