「法國國家電影中心」的中介角色與功能

Roles and Functions of National Center of Cinema in France

阮若缺(Rachel Juan)

《文化越界》 2卷3期 (2017/12) Pp. 1-21

https://doi.org/10.30405/CCS.201712_2(3).0001

摘要

如今全球早已進入圖像文化的紀元，尤其環顧亞洲鄰國，電影事業蓬勃發展，無不將文化創意發揮到極致。具文化底蘊的我們，與眾人分享文化紮根的果實，推動並提昇我軟實力，成了重要課題。法國是影視大國，本論文欲就「法國國家電影中心」與我國「國家電影中心」二組織進行其設置依據、組織規模、角色及功能、經費來源與運作模式做對照分析，以爬梳出各自的優缺點，目的是截長補短，使我國電影中心在組織架構上更加健全，扮演中介角色並發揮更大效能，以推動我電影事業，達到在國際舞台發光發熱的影響力。

關鍵字

設置依據 ； 組織規模 ； 角色與功能 ； 經費來源 ； 運作模式

並列摘要

The world has now entered the era of abundant images. Movie industry has thrived especially in our neighboring countries, such as China, Japan, Korea, and each one of them develops their cultural creativities to the maximum. With our vast accumulation of culture, it becomes imperative to share with the world the fruits of the cultural implantation as well as the levering encouragement of our soft power. France is a gigantic country in the domain of movie and television, with the third largest market share of movies in the world. This article will attempt to examine two semi-governmental intermediate organizations: National Center of Cinema in France and National Center of Cinema in Taiwan, in regard of the set up base, size of organization, roles and missions, source of funding, mode of operation, in order to do the comparisons and analysis. I hope to collect the data and find out the strengths and weaknesses so as to make our center of cinema more sound and complete in organizational and structural level. Therefore, not only could the organization operate to its full potential and consequently boost our movie industry, but also reach the level of influential soft power as France on the global platform.

並列關鍵字

organization ； objectives ； roles and functions ； financial aids ； savoir-faire