本研究主旨在研究城市中所繪製的壁畫對周遭環境的影響,許多的大城市當中都會出現一些特有的壁畫創作,或是塗鴉特區,這些壁畫與牆面塗鴉在城市中一直介於模糊的展現方式,常常被認為是城市的死角和社會問題的根源,但又有許多已經荒廢的環境藉由藝術與壁畫創生再次活絡起來,牆面藝術做為城市的一種表現媒材一直都很難以界定,此次研究是以幾個台灣與德國的個案當作分析指標,並用藝術與創作的觀點來看待城市與壁畫之間的關聯性,本文將討論在城市的發展當中,如何藉由壁畫和塗鴉來帶給城市一個新的面相,藉由牆面的設計讓城市產生獨特的樣貌,進而跟其他城市美化做區分。韓國首爾的梨花洞壁畫村,德國的奧伯拉瑪高壁畫村、馬來西亞的檳城喬治市、香港中環嘉咸街的壁畫等……都因此成為景點,可以發現到許多類似的案例,台灣也有非常多的社區美化是使用壁畫當作媒材,因此希望藉由此次研究去嘗試分析出一套在城市美化中能夠應用的創作流程,使壁畫創作成為城市美化的一環。
The main purpose of this research is to study the impact of the murals drawn in the city on the surrounding environment. In many big cities, there will be some unique mural creations, or graffiti special zones. These murals and wall graffiti have always been vaguely displayed in the city. The method is often considered to be the dead end of the city and the source of social problems, but there are many deserted environments that have been revived through the creation of art and murals. Wall art has always been difficult to define as a medium of expression in the city. This study uses several cases from Taiwan and Germany as analysis indicators, and uses the perspectives of art and creation to look at the relationship between the city and murals. This article will discuss how to use murals and graffiti in urban development To bring a new look to the city, through the wall design to make the city a unique appearance, and then distinguish it from other urban beautifications. The Ewha Cave Mural Village in Seoul, South Korea, the Oberama High Mural Village in Germany, Georgetown in Penang, Malaysia, and the murals on Graham Street in Central, Hong Kong have all become attractions. Many similar cases can be found, and there are also in Taiwan. Many community beautifications and local creations use murals as media. Therefore, I hope to use this research to try to analyze a set of creative processes that can be applied in urban beautification, so that mural creation can become a part of urban beautification.
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