漢代百戲興起之探析

Explored at the Beginning When Baixi Rose of Han Dynasty

郭憲偉(Hsien-Wei Kuo)

《大專體育學術專刊》 96年度 (2007/05) Pp. 1-5

https://doi.org/10.6695/AUES.200705_96.0001

摘要

雜技發源甚早，自先秦時期已萌發至漢代百戲開始蓬勃發展，為何漢代百戲會如此興盛，吸引國人與外國使者的喜愛，成為國家一大特色，引起筆者調查研究的動機。本研究採歷史研究法。旨在：一、瞭解漢代百戲興起的時代背景。二、探討百戲的發展演變。研究結果如下：（一）漢代百戲的興起源於社會經濟、帝王的重視、政治背景與文化交流而發展起來的綜合表演藝術。（二）漢代百戲的發展演變中：漢初，吸取先秦角抵的特點，融合民間技藝，使角抵戲更為豐富，形成一種獨有藝術。至東漢時，節目內容推陳出新，技藝內容日益精進，致使雜技內容推向更高殿堂，成為宮廷禮儀的一部分。

關鍵字

雜技 ； 角抵

並列摘要

The acrobatics rose very early, it has already begun to germinated since early Qin Dynasty and grew vigorously until Han Dynasty Baixi. Why Han dynasty Baixi would be prosperous to attract compatriots and foreign messengers to love, and become a feature of country; moreover, it the reason to cause author's investigation. This paper was used historical research to investigate. The purpose of this study it to understand Han era background that caused acrobatics to rise and to probe the development of Baixi. The results are as follows: (a) Rise of Baixi in Han Dynasty originated in society economic, the emperor's attention, political background and cultural communicate and developed became comprehensive performing arts. (b) The development of Baixi evolves in Han Dynasty: to absorb early Qin period characteristic of Jiao-di drama during the beginning of Han Dynasty, and merge folk performance in order to enrich the Jiao-di drama to became individual art. Until Eastern Han Dynasty, the content of performance has found new ways from old theories, and skill progresses day by day that caused content of acrobatics strides forward higher level, and then became the part of royal ceremony.

並列關鍵字

acrobats ； Jiao-di