The "Sounds of the Human World" music competition is one of the distinctive approaches by Fo Guang Shan to propagate Buddhist arts, and this has left a remarkable impression since the beginning of its development. By incorporating cultural elements and creativity from various countries, Fo Guang Shan's "Sounds of the Human World" spreads the Dharma through contemporary music genres and by giving songs a modern touch, thereby attracting interest in Buddhist music. Ideally, the objectives of these songs are to transform a person's temperament, to purify the mind, to promote self-cultivation, and to encourage good deeds. With such diversity and innovation, Buddhist music has achieved a new level of artistic and cultural value. With references to songs from the "Sounds of the Human World," this paper is a perceptual and preliminary analysis on how the songs exemplify and reflect Fo Guang Shan's practice of Four Givings: "give others faith, give others joy, give others hope, and give others convenience."