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從《雲禪畫》之創作實踐談星雲大師人間佛教之善巧方便

A Discussion on Venerable Master Hsing Yun's Skillful Means in the Medium of the Visual Arts: A Case Study of "Cloud Chan Art"

摘要


本文簡略述說在獨創《雲禪畫》的藝術形式,傳播星雲大師人間佛教過程中之所感所得,分別從禪之傳承、禪之意境、禪者的追求、畫家的藝術追求和表現手法等幾個方面,通過星雲大師的禪話與歷代禪宗大德的偈語想結合,達到禪與畫、意與境、文與質的相融相生;釐清禪、禪者、禪畫之間輔車相依的關係。通過星雲大師禪話、歷代大德禪詩、雲禪畫,他們的內容、題材、形象和形式諸構成要素的有機融合,以更自由地表現在無意識幻覺中所體悟到的人生和生活真象-佛性。繪畫成了大慧宗杲所宣導的「看話禪」,「試造文字不傳之境界」。我在本文中還通過《雲禪畫》之造像技法、出離法、取像符號等技法的研究探討,勾畫了這樣一個「淡」的世界。我以為,人生中的大起大落,表現在畫家畫筆之下,應該是和諧共生的。面山思定,臨水照心,其最要緊的,是使對立的東西在自己的淡定從容中成為一種和諧。希望通過本文對《雲禪畫》的解讀,亦能略至一二。

並列摘要


This paper briefly describes the artistic style of "Cloud Chan Art," as well as its development and dissemination by Venerable Master Hsing Yun. It will also discuss Cloud Chan Art along various lines, including its succession through the Chan lineage, the aesthetics of Chan, the Chan practitioner's pursuit, and their techniques. In addition, it will use as its primary resources Venerable Master Hsing Yun's Chan Stories and collections of the verses of past Chan masters, to better understand how he sees the relationship between Chan and art, the ideal and actualization, and the word and character of Chan art. Thus, this paper will work towards a greater understanding of the relationship between Chan, Chan practitioners, and Chan art. In this paper, the techniques of Cloud Chan Art and the technique of creating resemblances of images to symbols will be investigated. During contemplation, the most important thing is that one must keep one's composure and allow conflicting phenomena to be at harmony - the same applies to artistic creation.

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