《開寶藏》成都雕造考

From Manuscript to Print: The Carving of the Kaibao Canon in Tenth Century Chengdu

吳疆(WU, Jiang)

《佛光學報》 新7卷1期 (2021/01) Pp. 1-28

摘要

《開寶藏》作為中國歷史上第一部雕版藏經是十分重要的。本文根據前人研究，以及如神清（？-820）《北山錄》的慧寶注等地方史料，對這部藏經於十世紀時在成都雕刻和印刷的過程進行了探討和假設，重新評價這部藏經在宗教、政治和文化層面的價值。本文提出這部藏經是在寺院的監管下完成了雕造，這個寺院很有可能就是成都的淨眾寺。本文嘗試將《開寶藏》置於唐宋流行的印刷文化之中，為東亞歷史上第一部刻本漢文大藏經的產生提供一種新的詮釋。

關鍵字

《開寶藏》 ； 成都 ； 淨眾寺 ； 《北山錄》 ； 雕版印刷

並列摘要

The importance of the first printed edition of the Chinese Buddhist canon, the Kaibao Canon 開寶藏, cannot be overestimated. Based on previous scholarship and our examination of various local sources such as Huibao's 慧寶 annotation of Shenqing's 神清 Record of Northern Mountain (Beishanlu 北山錄), we intend to reintroduce this important canon to the scholarly world as a significant religious, political, and social innovation in Chinese history. In this paper, we focus on the process of its carving and printing in Chengdu at the end of the tenth century. We propose the hypothesis that the Kaibao Canon was carved in Chengdu under the supervision of a monastic institution, most likely, Jingzhong Monastery 淨眾寺. In sum, we situate the Canon within the widespread print culture of the Tang and Song dynasties and provide a new account of how the use of printing gave birth to the first printed Buddhist canon in East Asian history.

並列關鍵字

Kaibao Canon ； Chengdu ； Jingzhong Monastery ； Beishanlu ； block printing

參考文獻

《佛祖統紀》，CBETA，T49，no. 2035。

《佛祖歷代通載》，CBETA，T49，no. 2036。

《釋氏稽古略》，CBETA，T49，no. 2037。

《宋高僧傳》，CBETA，T50，no. 2061。

《北山錄》，CBETA，T52，no. 2113。