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摘要


Before the 20^(th) century, a museum curator had been in charge of museum programs because exhibits are the most important element of the museum. In the beginning of the 20^(th) century, the center of museum operation has changed from exhibits to offering information, educational resources, and programs. Consequently, museum personnel previously centered on the curator has changed significantly. The position of curator has broken down into archeology, history, art, architecture, and craft, and replaced by other personnel in charge of diverse specialized fields, such as education, preservation, design (exhibition, publication), photography, digital, facility management, etc. Previously, the curator set the topic and classified and presented the exhibits for the interests and attractions for visitors. Therefore, other exhibition media and designs other than the artworks and exhibits were presented in the minimal form as assistants. Due to the social changes and growing demand of visitors, the concept of exhibition gradually changed. The emergence of the designer in the museum brought significant changes to museum exhibition. As traditional museum exhibition was mostly in a linear form centered on a topic, the museum designer plans and designs the space according to that topic. Other than this, they attempt various designs to magnify the artistry, plasticity, and original meaning of the exhibits. This study characterizes the concept of planning for exhibition space, exhibition design planning, design techniques, color scheme, and lighting scheme with case studies.

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