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  • 學位論文

流動女體的跨國敘事:旅英台籍女性的身體美學與文化認同

Constructing transnational bodies: Body aesthetics and cultural identities among Taiwanese women in Britain

指導教授 : 李明璁

摘要


本研究聚焦於旅英台籍女性的身體美學和文化認同之間的動態關聯。移群女性的身體是跨國的權力被生產、被銘刻、甚至被挑戰的重要場域。置身於倫敦地區高等教育當中的台灣移群社會網絡,本研究發現身體美學以及其所型構的文化認同總是是情境式的,「移群台灣女性特質」的內涵,在不同時間、空間、觀眾等等脈絡當中,需要與新的情境協商。面對兩種相異的身體想像──台灣的西化理想女體論述,和西方空間中對東亞女體的東方主義式凝視──台灣移群女性在英國的身體美學實踐指明了移群文化認同的動態性和情境性。

關鍵字

性別 女性研究 身體 遷移 移群 女性主義 美學 認同 消費

並列摘要


The study explores the dynamic relations between the body aesthetics and the formation of cultural identities among Taiwanese women in Britain. The bodies of migrant women are a key site where transnational power is produced, inscribed, and sometimes challenged. Using primarily ethnographical data, the present research engages in depth with the everyday bodily practices of these women, examining the body aesthetics and identities formed in the diasporic community. It is found in the study that bodily aesthetics and the related cultural identities are rather situated in this community, as what ‘migrant Taiwanese femininity’ means needs to be negotiated and re-negotiated with specific audiences and located in cultural, temporal and spatial contexts. I argue that constantly caught between the tensions of the highly westernised bodily discourses in Taiwan and the Orientalist gaze that ‘Asianizes’ their bodies in Britain, these migrant women’s bodily aesthetics is theoretically significant for it foregrounds the volatility and situatedness of both body aesthetics and cultural identity among diasporic women.

並列關鍵字

gender body migration feminism aesthetics identity consumption diaspora

參考文獻


2003 <「全球化」的方法論與反方法論>,《政治與社會哲學評論》,2003.09:
2000 “From airbrushing toliposuction: The Technological reconstruction of the female body”. In B. Miedema, J. Stoppard, & V. Anderson (Eds). Women’s bodies/women’s lives (pp. 277-293). Toronto: Second Story Press.
 2000 Strange Encounters: Embodied Others in Post-Coloniality. London:  
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 2005 “Use of the Exotic: Body, Narrative, Mixedness” in Alexander, C. and C.  

被引用紀錄


唐筱恬(2010)。歐美派、日系風:台灣女性時尚雜誌的產製〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315213727
劉仰芳(2012)。日系混血美:台灣本土時尚圈的生產邏輯〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315311745

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