安錫國際動畫影展及其在法國動畫界之重要性

動畫電影的歷史與法國密不可分，儘管法國動畫電影的產量不高於美國，但法國動畫電影卻發展出自己新鮮、創新、現實和令人意想不到的特徵。事實上，法國動畫電影在動畫藝術領域一直處於領先地位，因為每部動畫電影都有自己獨特的性格。本研究探討安錫國際動畫影展在法國電影動畫界的重要性。安錫國際動畫影展是全世界最重要的動畫影展。鑑於法國擁有悠久的電影歷史、最厲害的動畫學校和許多著名的動畫工作室，因此法國有發展動畫電影的潛力。最重要的是，法國舉辦了全世界最大的國際動畫影展，這為動畫創作者提供了發光發熱的機會。因此水晶獎是法國乃至全世界動畫界最高榮譽的象徵。本研究共分為三個部分。第一章，我們研究動畫電影的歷史發展、法國的學校和動畫工作室並且分析法國的動畫市場。第二章，我們針對安錫國際動畫影展及安錫國際動畫電影市場研究其歷史發展與現況，並探討其在動畫界的重要地位。第三章，我們分析了水晶獎和觀眾獎的短片類別中2012年至2019年獲獎者的作品並研究了它們獲得成功的原因，我們也探討短片類別中水晶獎和觀眾獎獲獎者之間的共同點。

關鍵字

安錫國際動畫影展；動畫電影；法國動畫市場；法國動畫產業

並列摘要

The history of animated film is inseparable from France. Although the production of animated films in France is not higher than that of the United States, French animated films have developed their own fresh, innovative, realistic and unexpected character which is different from American animated films. In fact, the French animated film has always been in a leading position in the world of the art of animation, since each animated film has its unique character. This research explores the importance of Annecy International Animation Film Festival in the French film animation industry. Annecy International Animated Film Festival is the most important festival in the world dedicated to animated film. France has the potential for the development of animated films, as it has a long history of cinema, the best animation schools in the world and some well-known animation studios. Most importantly, France hosts the largest animated film festival, which provides an opportunity for animation creators to shine. This is why the Cristal Prize is the symbol of the highest distinction for the animation sector in France and even in the world. This study is divided into three parts. In the first part, we study the historical development of animated film and some of the most significant animated films in the history of animated film in France. Then, we present the schools and animation studios in France. We also analyze the animation market in France. In the second part, we study the historical development and current situation of Annecy International Animation Film Festival and Annecy International Animation Film Market, and discuss their important position in the animation industry. In the third part, we analyze the works of the winners from 2012 to 2019 in the short films’ category of the Cristal Prize and the Audience Prize. Then, we study the reasons for their success and we also look for the common points between the winners of the short films’ category of the Cristal Prize and the Audience Prize.