現代台灣性少數文學中的「日本」意象：以移動的人們為視角

本研究以日本與台灣為軸，透過分析台灣作家所創作的文本，來探討現代性少數者的「移動」。另外，本研究探討「日本」在這些台灣作家的文本中的意象為何。以結論而言，日本與台灣有著複雜的歷史交錯，在交流也很頻繁的現代，台灣作家們特意以日本為舞台創作的理由，因為各種媒體的影響，對日本抱有憧憬的人來說，日本是個備受注目的移動目的地。本研究主要提及以男同志為主題的小說作品，其理由為以男性為中心的台灣與日本父權社會，性少數者是被強制異性戀社會排除的。因此，本研究著眼於被壓迫的登場人物。透過考察，本研究想提出，正因為是父權社會，除了可以看出男性施壓的行為，男性亦被壓迫的事實與觀點。第一章整理出台灣性少數文學的發展；第二章檢討了《孽子》、《男身》中尋求歸屬感的行為；第三章以《惑鄉之人》為研究對象，檢討了作家的日治時期想像及「他者」在文本裡的意義；第四章透過分析《他城紀》中的移動，發現了城市在性少數文學中的意義。

關鍵字

性少數文學；台灣文學；日本；意象；移動

並列摘要

With Japan and Taiwan as the main discussion points, this study examines the moving of sexual minorities by analyzing the work of Taiwanese writers. Additionally, this study also explores the imagery of Japan in the texts of these Taiwanese writers. To conclude, Japan and Taiwan have a complex interplay of history. In modern times, when exchanges are also frequent, Taiwanese writers will use Japan as a background for their creations. And it is because, for those who aspire to Japan under the influence of various media, Japan is an attractive destination. This study refers to works featuring gay men. Sexual minorities are excluded from mandatory heterosexual societies in Taiwan and Japan, which are male-centric and patriarchal. By investigating the oppressed characters in these works, this study would like to raise the fact and view that, in a patriarchal society, besides the oppressive behavior of men, men are also oppressed. The first chapter sorts out the development of Taiwan's sexual minorities literature; the second chapter reviews the act of seeking a sense of belonging for the characters in Crystal Boys by Pai Hsien-Yung and Flashback by Sun Zi-Ping,; The third chapter takes Bewitched Homeland by Kuo Chiang-Sheng as the research object, and reviews the writer's imagination during the Japanese colonial rule and the meaning of "the other" in the text. The fourth chapter discovers the significance of the city in the sexual minorities literature by analyzing the movements of the main characters in The Chronicles of the Other City by Hsu Chia-Tse.