會意透明性 - 一大川堂空間深度的揭示

Phenomenon of Transparency: Re-reading the Hallway of Taipei Tech

陳建伸(Chien-Shen Chen)

指導教授 ： 林靜娟

國立臺北科技大學/設計學院/建築與都市設計研究所/碩士(2013年)

https://doi.org/10.6841/NTUT.2013.00684

摘要

本研究以「會意透明性」建築觀，作為探視空間深度的另一隻眼。試圖從柯林．羅的現象透明性做為切入，接續繪畫和相關理論研究；並與建築作品交互參照及空間解析，交織出設計者「會意透明性」的文法結構。再以此作為透明性的空間劇本創作，期待在一系列具體的建築研究過程下，揭示建築中既是存在卻又「看不見的」空間深度。

第一章，根據上述問題意識提出研究課題與方法，目的在於喚醒隱藏在表象背後的現象透明經驗。設定研究步驟為：相關文獻的回顧及歸納，並從當代建築案例研究中吸收透明空間劇本所需的養分，以建立起設計方法論的認知及參照。

第二章，為柯林．羅的「透明性」理論研究及延伸。其核心價值為抽象的現象透明性─Phenomenal，意即某種超越視覺的透明「機制」，用以誘發其他視覺背後的空間感知─會意透明性。從相關理論及繪畫的特徵研究，逐步推導至建築空間的會意透明特質，並歸納出空間卅物質卅時間等三種會意透明的層次。用以區別透明的普遍認知並揭示出會意透明性的價值。

第三章，以空間劇本策略回應會意透明的喚醒機制。深入空間卅物質卅時間的透明研究，離析出會意透明的重疊特徵：疊合（Overlap）、交疊（加）（Superimpose）；並據此重疊特徵，篩選出當代十四個建築案例進行解析，以作為設計「透明空間劇本」所需能量。

第四章，以「Taipei Tech 一大川堂」為基地，進行環境脈絡的閱讀及分析。試圖挖掘基地所賦予的機會，並擇取可被運用的環境因子，成為空間劇本所需的文字構成；擬定出「透明性空間劇本」的具體內涵，意圖解開基地環境內的空間卅物質卅時間束縛。

第五章，為整合理論研究的設計實驗。以「透明性空間劇本」對原基地進行透明性的語法構築及本研究的透明性理論，「會意透明性」企圖使人發現生活中被忽略的部分，透過某些暗示性的空間，串起整體上下文間的關聯。

在會意透明的空間內涵裡，感知彷彿從表層目光透視到背後的空間深度，而形成一迂迴、複雜的空間經驗。暗示的同時，也豐富人類整體生存與活動。

關鍵字

透明性 ； 會意透明性 ； 重疊 ； 空間深度

並列摘要

With “Phenomenon of Transparency” as main concern, this dissertation probes into depth of space from an alternative perspective. By beginning with Colin Rowe’s point of view of phenomenal transparency and continued with analyses of specific works in eastern and western painting as well as related theoretical researches, a grammatical structure of space to implement “Phenomenon of Transparency” in architecture is therefore proposed. This grammatical structure is later elaborated further through architectural works. All of this would then serve as the nutrition to compose the script which, in the end, underlies the thesis design project. The research hopes to reveal, through the process of concrete research methods, the substantial and yet “invisible” spatial depth in architecture.

Chapter I aims to, by proposing questions and method corresponding to the issues mentioned above, awaken the experience of phenomenal transparency. The research is carried out by literature review to establish the research recognition. Case studies are simultaneously undertaken from which inspirations are drawn for composing spatial script among contemporary architectures. A design methodology is synthesized to conduct the design project.

Chapter II investigate into and further extends the research of Colin Rowe’s article “Transparency”, which considers the abstract phenomenal transparency as core value. In other words, invisible perception other than simply sense of vision is critical to phenomenon of transparency. The research looks for, by studying related theories and characteristics of appropriate painting works, features of phenomenal transparency in architectural space induced by three categories of phenomenal transparency - space, matter and time. In order to differentiate the general understanding of transparency and reveal the richness that the phenomenal transparency in architecture could come about.

The aim of Chapter III is to think spatial script composition as a strategy of phenomenal transparency. By further study on time, matter and space, the research differentiate overlap from superimpose both together intertwining features of phenomenal transparency. In accordance, case studies among 14 contemporary architectural projects are proceeded respectively to underlie the composition of design script in spatial transparency.

Chapter IV conducts the analysis of the Conference Hall of “Taipei Tech” to excavate the opportunities and organizes factors for the composition of spatial script. The chapter emphasizes the substantial content of the “script of spatial transparency” to liberate those constraints of space/matter/time on site.

Chapter V is to integrate the theoretical research into a design experiment. By applying “script of space transparency”, which deduced from the grammatical construction of transparency and the theorization of phenomenal transparency in this research, spatial spirits could be emerged out of architecture that have been overlooked. And by appropriate suggestion, context lie in fragments could be coherent together.

By looking into the depth of space through holistic perception, a holistic perception flows between superficial vision of matters and behind. That’s, the spatial connotation of the phenomenal transparency indicates a fertile area of spatial imaginations and experiences, which are still unknown.

並列關鍵字

Transparency ； Phenomenon of Transparency ； Overlap ； Depth of space

參考文獻

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