「意念風景」的創作探討

摘要這個研究主題並不是先訂定了明確的主題以後才開始做創作，而是有了一定數量創作作品後，才做整理創作脈絡的動作，因此對之前創作動機的整理與組織相對的更加重要。本論文是從一位創作者的角度，試圖對自己創作過程的主題、技法、理念做分析並從脈絡中延展下一階段的創作。本研究主題為「意念風景」系列創作的理論與實踐，內容包涵了六個章節，首先闡述創作動機以及研究範圍，由自己觀點出發來看待這階段創作的歷程；其次，在創作思想與理論基礎上談到對自己意念的表達及自由度的探尋，並探討東西方對風景畫的表現及詮釋，和風景畫的演變，並且提出一自己的觀點，即是透過對大自然觀察研究所產生半抽象的風景畫，也談及西方藝術史中，前輩、大師的經驗及理論基礎，並對自我的創作造成啟發。在創作主題之條件與元素中，包涵創作要素，並藉此表達主客觀感受，而創作過程的內容、形式、技法與媒材則在說明創作過程中運用那些藝術形式、材料與繪製方式，是否能完整表達筆者之意念、涵意；最後，在作品解說的部份用透過創作過程所完成的作品來印證先前所題及的理論，盼能如同植物吸收養份一般為自己的創作綻放新芽。

關鍵字

脈絡；風景畫；抽象；主客觀

並列摘要

Discussion of Creation “Conceptual Scenery” Abstract: The subject, “Conceptual Scenery”, had not been set up in advance until the researcher’s creations had been in quantity. After that, the way in which the researcher created started to be clarified, so it is significant to understand the researcher’s paths of creating to originate the motivation and the mental organization. In the researcher’s position, the thesis analyses the researcher’s themes, techniques and principles in the process of inventing; according to them, the next stage of creation is brought forward. The thesis presents the theory and the practice of the serial works “Conceptual Scenery,” including six chapters. Firstly, they narrate the creating motivation and research field. Secondly, the proceeding of creation is treated in the researcher’s opinion. Thirdly, the expression of the researcher’s thoughts and the hunting for the flexibility are theoretically mentioned. Fourthly, the performances and the interpretations on the landscape picture from the East and the West are discussed. Fifthly, the researcher’s observation on nature produces “semi-abstract” landscape picture. Finally, the last part describes the researcher’s innovation from the predecessors’ and masters’ experiences and theories in the western art history. Conditions and elements in the subject convey the objective and subjective feelings. Contents, forms, techniques and materials in the process instruct what were employed, how were done and if the works did communicate the researcher’s image effectively. At last, instructions on the paintings prove the above theories. By so doing, the researcher expect his future works to blossom like plants absorbing nutrients.