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  • 學位論文

國民中學男聲合唱團教學實務之研究-以兩位合唱團指導教師為例

A case study of two choral directors' teaching practice of the adolescent boy choirs in junior high school

指導教授 : 潘宇文
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摘要


本研究旨在瞭解國民中學男聲合唱團指導教師於進行教學實務的合唱教學理念與教學方法。本研究方法採用個案研究,以兩位任教於臺北地區國民中學男聲合唱團之一名音樂女教師與一名音樂男教師作為研究對象,並運用訪談、觀察兩種研究法來進行資料蒐集,同時實施三角檢測,以確認研究資料之效度。依據研究發現與結果,將研究結論呈現如下: 一、學校的合唱傳統與行政單位的支持,對於兩位個案教師在實踐合唱教學理念上有正向的影響。 二、兩位個案教師組訓該合唱團之目的,在於提供多樣的合唱學習與展演機會,讓國中男孩的青春之聲能有發揮的舞台,使學生從中習得正確的發聲法並建立其歌唱自信心。 三、兩位個案教師皆會選用多聲部的歌曲進行教唱,並依據學生的變聲狀況與音域範圍將歌曲作適度的聲部改編,或以聲部間旋律接唱的方式來進行歌曲教唱,協助處於變聲階段的男孩們能在舒適音域中學習歌唱。 四、兩位個案教師皆重視歌曲教唱前的暖身活動教學,且會特別著重於呼吸、共鳴與發聲等歌唱技巧之培訓。 五、兩位個案教師因性別與其音域特質之不同,故於進行教唱時會依音域範圍來調整範唱方式。當音域超過其演唱音域而無法親自範唱時,即會挑選各聲部優秀的男生團員來作示範,同時輔以口頭說明,使學生瞭解該如何演唱以達到教師之要求。 六、兩位個案教師最常採用個人獨唱或小組重唱的評量方式來進行形成性評量,以瞭解學生在音準、節奏、歌詞咬字等方面的學習狀況。 綜觀本研究之研究結果,分別向學校行政單位、音樂教師、合唱教育工作者以及未來研究提出建議,以供參考。

並列摘要


The purpose of the study was to explore two junior high school music teachers’ choral teaching philosophy and approaches in training the adolescent boy choir. This study utilized a case study design. The research data were collected by interviewing and observing the choral rehearsals directed by the two case teachers. After analyzing the collected data, the major findings of this study were as follows: 1. The school choral tradition and the supports from school administration had positive impact on teachers’ choral teaching philosophy. 2. The two case teachers pointed out the purposes of managing the adolescent boys’ choirs in the junior high school were to provide a variety of choral learning opportunities for developing students’ singing ability, and to build a performance stage for cultivating their confidence in singing. 3. According to adolescent boy’ singing range and tessitura, the two case teachers selected part-songs to teach them. In order to let adolescent boy to sing comfortably, teachers had to transpose the melody or draw new melodic lines within the parts to accommodate ranges that are comfortable for each singer. 4. Both of the two case teachers had put emphasis on choir warm-up activities, especially for training breathing, resonance and vocalizing techniques. 5. The differences in gender and singing range of the two case teachers would affect their strategy of vocal modeling. 6. The two case study teachers frequently used solo or group ensemble for formative assessment, to understand the students’ learning situation in intonation, rhythm, and diction. According to the research results, the researcher made suggestions for school administration, music teacher, choral educators, and future researches for the choral teaching.

參考文獻


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被引用紀錄


江昀珊(2012)。藝術與人文教科書歌唱與直笛曲目之內容研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315273741

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