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  • 學位論文

音樂視覺化、視覺音樂化之轉化創作-以音、色共感覺聯想創作為例

Research on Audio Visual Context Inter-Transform Using Audio Visual Synesthesia Associated Creative Works as Exmaple

指導教授 : 林子邦

摘要


聲音、音樂作為聽覺性之傳遞媒體,與色彩作為視覺性之傳遞媒體有著相輔相成的關係。對於人類來說,音樂的感染力極大,無論舞蹈、電影、動畫等,動態之藝術皆需要音樂陪襯,無可厚非的聲音、音樂在人類的世界裡是如此之重要;而色彩也是使人們達到無限創造力推手。聯繫起二者之間微妙的關係並透過科技藝術的運用,音樂視覺化與視覺音樂化創造更成為令人興奮之探討與創作源思,也是許多藝術家孜孜不倦追求的夢想。 《視音-從這一端走向__》作品參考運用實驗調查數據中音階對應色彩共感覺平均百分比以上的色彩做為轉換的要點,並配合音高對應明度高低之關係,從影片作品製作過程中可發現色彩相似度極高,除了音樂有一定的規律性,相同調性音階重複出現頻率之外,主要原因為數據轉換後音階色彩差異幅度較小,視覺效果不夠強烈;另外音色對應形態部分也從實驗調查結果中將其轉換運用,由於形態在畫面構圖、音樂段落轉折中要一定程度上之契合,無論色彩與形態方面在後製中皆需要做一些調整以增加視覺上之美感,因此在加入大眾共感覺的條件之下創作空間較為局限。作品《聽色-揮灑的跳躍__Alice的第24小節》為音樂聯想與色彩共感覺的個人思為轉化,將抽象轉為實體,創作上也較為自由。作品《音隨形、形隨音-色色音盒》的趣味性成份較多,在二色彩共感中我們可以在繪形過程中聽到自己畫出的聲音,又可從聲音轉化後的圖形看見聲音。 本創作論文透過文獻探討、作品分析以及實驗創作應用過程中探索音樂與色彩之間二者元素與結構,其中包含以樂音三要素與色彩三屬性共感覺關係,從中構想取得相互轉化運用之方式與手法,將音樂感知層面藉由色彩轉換為視覺色彩圖像概念,達到「形色隨音」;色彩層面以視覺轉換為隨機音樂創作,而成為「音隨色」;透過創作過程與結果探討音樂與色彩共感運用之發展。

並列摘要


The sound and music in the capacity of audio media and color qua the visual media are complements each of the other. Music has heavy influence to human. The dynamic art such as dancing, movie or animation needs music to play with. It is beyond all doubt, sound and music play the important role in the world; In contrast colors make human infinity in creating. Be connected with audio and visual on interface art working. Visualization sound and musical vision art works become more exciting as the idea of thinking and discussing, and it is also the dream of many artists. “VISUAL SOUND- WALING FROM THIS SIDE TO ____” This work refers the data from the scale make homologous to color testing, and fits with the report of the contrast with pitch and color shading. From editing the film, the colors are pretty similar. The visual doesn’t show up strongly because of music plays the same tempo and the variance of the data in the small range. Except it also switch the timbre and shape. It need to be fit with the shape in picture and the music. No matter color or shaping both need to fix in editing to increase the tact on visual. It does not have fitting range to create with the data from the testing. “LISTEN TO THE COLOR | DANCING ON THE PAINTING | THE 24th BAR OF ALICE” This work turns the Synesthesia between color and musical imaging to personal image. It switch abstraction to substance. So that it is more free to work on. “SOUND FOLLOW THE SHAPE | THE SHAPE COMES WITH SOUND - COLOR MUSIC BOX” This creation has much savor. We can heard the sound by drawing the shape, and also see the shape that translate from the sound.

參考文獻


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被引用紀錄


林易欣(2017)。林易欣多媒體作品發表會 含原創作品集與人形註釋文件〔碩士論文,國立交通大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0030-2212201712192155

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