線索轉化

建築的創作常常透過不同事物發想或發現，創作各種充滿生命力的空間形式，因此在作品創作過程中透過多種不同的角度觀察與各式各樣的分析方式來創造出建築空間。基本上可被觀察的物件可由大到小，由靜到動。也就是由單一物件到個人行為動作再到城市尺度都可以是被觀察的對象。首先觀察環境的線索，但是環境的線索較難為抽象，所以在分析過程中將線索數值化並紀錄然後轉化，因此能夠使比較抽象的線索轉化成具體的空間。第二階段透過對動作線索的描繪，簡單地組構出人體工學上與空間的形式塑造。第三階段由概念線索出發的轉化方式，可以較真實的反應出使用者抽象地空間想像。第四階段由建築的線索轉化所構成的空間關係，可以清楚地將建築空間重新詮釋，並且符合原有的建築空間。第五階段由城市的線索轉化所構成的空間關係，可以反應出城市空間立面的關係與都市背景的後巷空間。

關鍵字

建築；線索；轉化；運動；模擬；數位

並列摘要

The creation of the building often takes place and thinks or finds through different things, create various kinds of space forms full of vitality, so observe and create the building space with the analysis way of all kinds through many kinds of different angles in the course of works creation. Can can from great to being light things that observe basically, from quiet to work up. That is to say that and then can be targets observed to urban yardstick to personal behavior movements from the single things. Observe the clue of the environment at first, but the clue of the environment relatively embarrasses abstractly, note down then transform clue number value in the course of analysing, so can make more abstract clue transform into the concrete space . Pass to description , movement of clue two stage, group is it happen human engineering go to form in space mould to construct briefly. The third stage is by the transformation way that the concept clue set out, can be truer to reflect users the space is imagined abstractly. The fourth stage is transformed the spatial relationship formed by the clue of the building , can build the space to annotate again clearly , and accord with the already existing building space. The fifth stage is transformed the spatial relationship formed by the clue of the city, can reflect that the urban space sets up the Taxi relation and space of back lane of the city background .