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  • 學位論文

再現賴和-戰後臺灣各級詩獎的賴和書寫

Reappearance of Lai Ho - An Exposition on the Poetry Awards about writing styles of Lai Ho after War II in Taiwan

指導教授 : 解昆樺博士
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摘要


重現「賴和」的方式,有文學研究與文學創作二種。文學研究的數量較多,研究成果可以呈現賴和的歷史真相。而文學創作數量較少,但確是可以呈現文學的賴和。賴和做為臺灣文學的代表人物,他的復活極具象徵意義。不過,筆者考察相關文獻發現,目前對於賴和如何被後世創作者記憶、再現之相關研究,卻付之闕如。 本論文首先爬梳戰後臺灣各級詩獎發現,透過文學獎的機制來呈現賴和形象的共有五篇詩作品。接著,從臺灣文學獎的成立與變革中,探討哪些文學獎入選「賴和」的作品,及其創立的宗旨與作品的特色為何,來窺見文學獎機制是否影響文學發展的走向。最後,從有關賴和的詩文創作中,探討、分析這些後世作家,如何運用創作的藝術美學去呈現賴和,呈現的是一個怎樣的賴和。希冀由此研究,發現臺灣文學獎機制再現賴和,可顯露臺灣文學漸趨鄉/本土化的走向,及彰顯文學賴和的獨特性與賴和在戰後臺灣文壇上的意義與價值。

關鍵字

詩獎 再現 文學獎 賴和 臺灣文學

並列摘要


There is two ways, literary research and literary creation, to reproduce “Lai Ho”. More literary research results can be presented on the history and truth. Less of literary creation can be presented on literature of Lai Ho. Lai Ho is a representative of Taiwan’s Literature. It is very significance of resurrection of Lai Ho. However, the researcher found that how Lai Ho’s works of relevant studies were remembered and reproduced by today’s author is incomplete. This paper first crawled at all levels of post-war poetry prize in Taiwan found that, through the Literature Prize and the mechanism to render the image depends on a total of five works of poetry. Then, from the establishment of Taiwan Literature Prize and change, of which literary award named "Lai" works, and founder of the purpose and characteristics of such work, to get a glimpse of literature and literary development award mechanisms are affecting the trend. Finally, this study explores and analyzes later writers, how to express Lai Ho by applying creative arts aesthetic, from Lai Ho’s poetry and his masterpieces. Hopefully it could discovery the system of Literary Award in Taiwan to reappear Lai Ho. It could show that Taiwanese literature become a localization trend and manifest Lai Ho’s uniqueness of literature and his meaning and value in literary field after War II in Taiwan.

參考文獻


解昆樺著,〈雛構新詩文體語言-賴和新詩手稿中的意象經營與修辭意識〉,《臺
徐秀慧著,《戰後初期(1945-1949)臺灣的文化場域與文學思潮》(臺北縣:稻香,
黃鶴仁,〈臺灣的地方文學獎-以九十四年文學獎為主〉,《東吳中文研究集刊》14
國立中興大學中國文學系人員執掌,
張漢良、蕭蕭著,《現代詩導讀(導讀篇)》(臺北:故鄉出版社,1982)。

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