由於主流文化的漠視與入侵之下,使得原住民自身的文化漸漸消逝,原住民文學近年來大量的出產,可視為原住民對於文化失落危機所採取的因應之道,布農族作家同樣也是如此,本論文以霍斯陸曼‧伐伐、拓拔斯‧塔瑪匹瑪、乜寇‧索克魯曼三位作家的作品為研究對象,論述作品中的主題意識,從早期尖銳諷刺的抨擊主流文化對原住民的剝削,漸漸轉為注視自身文化的美好,描繪族群的生活圖像,直至以想像重新包裝布農族文化,布農族的文學漸漸邁入多元,本論文主要從布農族作家作品中出現的神話傳說、文化、宗教信仰、族群議題與主體性建構等方面下筆,試圖分析布農族作家如何以文學的方式,抵抗主流文化的入侵以及追尋族群的認同,建構屬於布農族的文學。
Disregarded and intruded by the dominant culture, the native culture of aborigines in Taiwan is gradually disappearing; however, the yield of indigenous literature works has increased greatly in these years, which can be regarded as the aborigines’ responses to the crisis of culture decline. So do the Bunun writers. This paper takes the literature works of Husluman Vava, Topas Tamapima and Neqou Soqluman as the research subjects, tries to explore the awareness of themes in their works. It finds that the literatures of Bunun writers have diversified, from the early works attacking the intrusion of dominant culture upon the aborigines, to the valuing for their own culture, describing their own lives, and even to the willing to redecorate Bunun cultures. This paper starts from the aspects appeared in the literature works of Bunun writers, including myths and legends, culture, religion belief, theme of ethnic groups and subjectivity construction appeared, and tries to analyze how the Bunun writers use the literature to resist the intrusion of dominant culture, seek for the ethnic identification and construct the literatures of Bunun people.
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