從蚵寮漁村小搖滾看社區如何動起來

Observing the Community Mobilization from the Small Oyster Rock

廖培伶(PEI-LING LIAO)

指導教授 ： 管中祥

國立中正大學/社會科學院/傳播學系電訊傳播研究所/碩士(2016年)

摘要

本研究以高雄梓官「蚵寮漁村小搖滾」此一由社區居民發起、自行規畫的音樂祭為主題，認識活動舉辦的動態過程，了解小搖滾何以成功受到樂團支持、樂迷喜愛，且具在地特色。

研究透過參與觀察法與訪談法了解活動由內而外捲動在地鄉民、參與樂團、外來的觀眾的動態過程。同時比較官方舉辦的烏魚節、台灣其他音樂祭，探究這非關地方產業的活動，如何引發在地居民的參與及認同，又展現了什麼樣的文化意義。

研究發現，「多場域行動者」蔡大哥串連了在地小老闆的資金，也動員了在地學校的志工團，由於策展成員皆為在地人，從可見的漁船意象、擲筊的決策方式、在地學生的舞台演出，都使活動具備在地特色。現場人力主要是學校志工團攜家帶眷支援，跨越不同年齡及興趣，也讓活動氣氛不同於其他音樂祭，更加開放、適合居民參與。

小搖滾的舉辦過程契合搖滾的原真性與DIY精神，而小搖滾也作為外來樂團與在地居民的文化轉譯機制，雙方透過小搖滾相互交流，並且相互影響與改變，一方面讓活動的文化意涵更加厚實，一方面成為創作與演出的養分。

小搖滾是由日常生活中生長出的活動，盛大卻仍是社區活動的一部分，不具招攬觀光目的，也並不將樂團視為花錢邀請的表演者，更希望彼此認識交朋友。因此活動更有人味，也具備無法複製的在地特色。

關鍵字

蚵寮漁村小搖滾 ； 音樂祭 ； 社區 ； 地方節慶

並列摘要

Taking Kaohsiung’s “Small Oyster Rock,” a music festival that is initiated and planned all by the community residents, as the subject, this study is aimed to know the dynamic processes of the event and to understand how the Small Oyster Rock could be supported by rock bands, loved by rock fans and combined with local characteristics.
In this study, the participant-observation method and interviews are used to understand the dynamic processes of involving the local residents, participating bands and out-town audience in the event from the inside to the outside. Furthermore, through the comparison with the official Mullet Festival and other Taiwan’s music festivals, this study explores how this non-local industry-related event triggers the participation and recognition of local residents, as well as what cultural significance it demonstrates.
This study found that multi-field actor Brother Tsai not only collects the funds from the owners in the local industry, but also mobilizes the volunteer groups from local schools. Since the curators are all local residents, the event is full of local characteristics in every aspect, including the visible imagery of fishing boat, the decision-making method of throwing divination blocks, and the stage performance by local students. The on-site manpower is mainly the school volunteer groups and their family. With a significantly broad spectrum of age and interest, the festival has a special atmosphere unlike any other music festivals, which is more open and suitable for local residents to participate.
The organization process of the Small Oyster Rock is consistent with the authenticity and do-it-yourself spirit of rock music. Moreover, the Small Oyster Rock is also a cultural interpretation mechanism between out-town bands and local residents. The two sides communicate with each other through the Small Oyster Rock and further influence and change one another mutually. On the one hand, it deepens the cultural significance of the event; on the other hand, it even provides as the nutrients for the creation and performance.
The Small Oyster Rock is an event developed from daily life, and it is still a part of community activities with no tourism purposes despite its grand scale. They do not treat the rock bands only the performers they pay and invite, but they also hope that these performers can use the opportunity to know and make friends with each other. Therefore, the event not only has a people-oriented nature but also the local characteristics that cannot be copied.

並列關鍵字

Small Oyster Rock ； music festival ； community ； local cultural festival

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