藝術如何超日常？以第二屆大臺北當代藝術雙年展為例

藝術與日常之間的關係有許多模態：單純反映日常、激烈與日常斷裂、對於日常的加工和轉譯，以及消除界線的日常即藝術等等。本研究將以2018年11月至2019年1月臺灣藝術大學舉辦的第二屆大臺北當代藝術雙年展「超日常」（Daily^+）為具體案例進行分析，探討藝術與日常之間的各種關連模式，試圖回答「藝術如何超日常？」的提問。日常又如何提供當代藝術嶄新的激盪與創作論述？藝術對於日常生活的啟迪為本研究的主要關懷，同時揭示藝術創作的泉源往往來自日常的滋養。關鍵詰問不在於區分藝術與日常的方法，而是瞭解藝術家與觀者如何在兩者之間折返來回，豐富彼此。

關鍵字

超日常；大臺北當代藝術雙年展；日常性；日常的藝術轉譯

並列摘要

There are many modes of the relationship between art and daily life: simply reflecting the ordinary, breaking from the daily with fierceness, and eliminating boundaries separating art from routine life, that is, art is life itself. This study will take ＂Daily^+＂ , the 2^(nd) Taipei Grand Biennale of Contemporary Art, held at the National Taiwan University of Arts from November 2018 to January 2019 as an example, in order to explore the various connections between art and the daily, trying to answer the question : How does art transcend daily life? How does routine life offer a new excitement and creative discourse to contemporary art? Discovering the enlightenment of artistic creation to everyday life is the main concern of this study, and at the same time we try to demonstrate that the artistic practices often comes from the nourishment of the ordinary life itself. The key question does not reside on the research of an effective way to distinguish art from the daily, but to understand how artists and viewers can go back and forth between art and everyday life to enrich each other.