系譜、危機與認同：多納‧庫斯比(Donald Kuspit)的現代藝術理論

Genealogy, Crisis and Identity: Donald B. Kuspit's Art Theory

譚力新(Li-Hsin Tan)

《藝術學報》 79期 (2006/10) Pp. 1-17

https://doi.org/10.6793/JNTCA.200610.0001

摘要

本文希望藉由評析美國藝術理論家多納‧庫斯比(Donald Kuspit)的思想來探討現代藝術的問題。全文將著眼於八零年代現代藝術發展時面對的衝突危機，以及庫斯比本人對此危機問題的分析。經過現代藝術的問題提出，進一步引介系譜學以作為對現代藝術史問題的可能解決策略。最後，藉由庫斯比的精神分析式的現代繪畫論述，提供我們一種重新面對現代藝術史關照的新可能性。

關鍵字

藝術理論 ； 藝術批評 ； 多納‧庫斯比Donald B. Kuspit ； 系譜學

並列摘要

This essay particularly analyzes American influential critic-Donald Kuspit's art theory. I will focus on Kuspit's own analysis on the impact of art history crisis during 1980s. Then I offer the concept of genealogy as modern settlement for this conflict crisis. Through reviewing Kuspit's psychoanalytic discourse of modern painting's function, I conclude that Kuspit's art theory suggest an important role for understanding the alternative modern art history.

並列關鍵字

Art theory ； Art criticism ； Donald B. Kuspit ； genealogy

參考文獻

Baxandall, M.(1985).Patterns of Intention: On the Historical Explanation of Pictures.New Haven:Yale University Press.

Bryson, N.(1983).Vision and painting: the logic of the gaze.New Haven:Yale University Press.

Bryson, N. (Ed.)(1988).Calligram: essays in new art history from France.Cambridge University Press.

Carrier, D.(1993).Principles of art history writing.Pennsylvania:The Pennsylvania State University Press.

Crow, T.(1996).Modern art in the common culture.New Haven:Yale University Press.