透過您的圖書館登入
IP:3.139.70.131
  • 期刊

古畫的複製與再現-以動畫作品〈谿山之城〉爲例

The Reproduction and Representation of Ancient Chinese paintings-Taking "Castle Beyond a Mountain" for an Example

摘要


水墨畫象徵著中國傳統的藝術精神,不論在技法或表現形式上,都有其獨特的藝術風格,而畫家運用筆墨皴染寄情於山水丘壑,或藉由紙絹材料與詩、書、畫的情感交融,無不彰顯出東方特有的情境美感。 整體而言,〈谿山之城〉藉由改編傳統繪畫之手法與3D電腦動畫的組合形式,透過畫面特有的筆墨皴染元素,將空間與時間的概念注入於動畫技術,以動態效果呈現出原本屬於平面的視覺經驗。因而,本創作大膽提出水墨空間與虛幻的想像世界得以彼此交融,藉此新的造境觀念重新詮釋古畫,並賦予傳統影像再現的精神意涵。

並列摘要


Ink painting, distinctive in its techniques and forms, symbolizes the spirit of traditional Chinese art. With ink and brush, artists play with the skills of Ts'un and coloring so as to give expressions of their feelings in the landscapes of their paintings. The use of paper and silk and the interplay of poetry, calligraphy and painting instill into ink painting a unique oriental aesthetic sentiment. On the whole, through an adaptation of traditional Chinese painting with computer animation and the presentation of Chinese painting skill called ”Ts'un,” ”Castle Beyond a Mountain” instills the concept of time and space into animation techniques, infusing moving effects into two dimensional visual experience of painting. Hence, the creation work presents a virtual world in which the space of water and ink mingles with the imaginary world. In an innovative sense of creative vision, the work reinterprets the visual experience of traditional Chinese painting and represents traditional images with modern significance.

參考文獻


王雲五(1936)。宣和畫譜。台北:台灣商務印書館。
何恭上(1996)。兩宋名畫精華。台北:藝術圖書公司。
呂小玲(1993)。梅丁衍作品集。台中:臻品藝術中心。
國立故宮博物院(1983)。范寬谿山行旅。台北:國立故宮博物院。
崔曉東(2004)。山水畫的臨摹與寫生。鄭州:河南美術出版社。

延伸閱讀