晏殊詠花詞審美特徵試析

Analyses of Aesthetic Features in Yen, Shu's Flower-Chanting Lyrics

趙桂芬(Kuei-Feng Chao)

《臺南科大學報（人文管理）》 26_1期 (2007/09) Pp. 23-42

https://doi.org/10.6970/JTUTHSM.200709.0023

摘要

晏殊(991-1055)，字同叔，撫州臨川人，卒諡元獻，人稱晏元獻公。晏殊詞，雍容典雅，有富貴氣，堪稱「北宋倚聲家初祖」，有《珠玉詞》傳世。晏殊存詞百餘首，其中詠物之作多達三十首，幾全爲詠花詞，造語工麗，音韻和婉，形象鮮明，是北宋第一位大量創製詠花詞的作家。其中更有多首創調之作，都成爲後代填詞的正體，而其好爲聯章體，應歌合樂，傷逝詠懷，真實地反映時代的心聲與生活的情趣。因此，晏殊詠花詞對其個人而言，或對北宋詠物詞的發展史而言，都有特殊的意義和價值，是不容忽視的。本文擬從分析晏殊詠花詞之物象表徵，探討其藝術創作的審美趨尚，進而確立晏殊詠花詞在詠物詞發展史上的意義與價值。

關鍵字

晏殊 ； 詠花詞 ； 珠玉詞 ； 詠物 ； 聯章體

並列摘要

Yen, Shu (991-1055), also surnamed Tueng-Shu, born in Linchuan, Fuzhou, posthumously titled ”Yuan-Xian”, hence was honorably called Sir Yen Yuan-Xian by people. Yen's lyrics are gorgeous and elegant, filled with the tone of wealth and fortune and he is worthy to be entitled ”the Pioneer Lyricist of North Sung”. His work-”Pearl & Jade Lyrics”, consisting of more than a hundred of lyrics, has been passed down. Among them, there are over thirty object-chanting lyrics, and almost all of them are flower-chanting. The delicate and beautiful wording, gentle and euphemistic rhyming as well as clear and plain imaging make him the first writer who created mass flower-chanting lyrics in North Sung. This study aims to analyze the symbolic features of objects in Yen’s flower-chanting lyrics so as to explore the aesthetic style in his artistic creation, and conclusively, to establish the meanings and values of Yen's lyrics in the historical development of object-chanting lyrics.

並列關鍵字

Yen ； Shu ； flower-chanting lyrics ； Pearl & Jade Lyrics ； object-chanting ； series style