Title

東方美學中的“意象”理論

Translated Titles

Image Theory in Eastern Aesthetics

Authors

彭修銀(Xiu-Yin Peng);李穎(Ying Li)

Key Words

意象 ; 東方美學 ; image ; eastern ; aesthetics

PublicationName

吉首大學學報(社會科學版)

Volume or Term/Year and Month of Publication

26卷3期(2005 / 07 / 15)

Page #

37 - 42

Content Language

簡體中文

Chinese Abstract

“意象”是東方美學中的核心範疇,它發源於中國古典美學,同時在東方其他各民族的美學體系中也有具體、深刻的體現。“意象”的美學特徵表現為“隱”與“奇”,即象徵性、含蓄性、暗示性、神秘性,這也恰恰是東方民族審美思維方式的鮮明特色。

English Abstract

”Image” is the core in eastern aesthetics. It originated from classical Chinese aesthetics and is commonly seen in the aesthetic system of other eastern nations. Characterized by symbol, simplicity, hint and mystery, its aesthetic feature is in accordance with the aesthetic taste of eastern people.

Topic Category 人文學 > 人文學綜合
社會科學 > 社會科學綜合