Title

至“情”的化身-析《牡丹亭》中杜丽娘的艺术形象

Translated Titles

The Embodiment Of Absolute Passion-Analyzing the Artistic Figure Of Du Li-niang in the Pavilion of Peony

Authors

洪艳(Yan Hong)

Key Words

牡丹亭 ; 汤显祖 ; 杜丽娘 ; 至情 ; 封建礼教 ; 爱情追求 ; The Pavilion Of Peony ; Tang Xian-zu ; Du Li-niang ; Absolute Passion ; feudal morality ; yearning for love

PublicationName

景德鎮高專學報

Volume or Term/Year and Month of Publication

20卷1期(2005 / 03 / 01)

Page #

38 - 40

Content Language

簡體中文

Chinese Abstract

汤显祖在其名剧《牡丹亭》中以遒劲的笔墨塑造出一个生动独特而又丰满的“至情者”的形象-杜丽娘。在中国文化史上第一次在审美领域里把“生可以死,死可以生”的至情激扬到超越传统意识的高度。表现了人类对爱情幸福的渴望与追求。

English Abstract

In this well-known drama ”The Pavilion Of Peony” Tang Xian-zu creates the image of Du Li-niang,a girl for vivid and unique character. For the first time in the history of Chinese culture the absolute love had been exalted to an unsurpassing level beyond traditional cognition. It showed man's yearning for happiness and love.

Topic Category 人文學 > 人文學綜合
基礎與應用科學 > 基礎與應用科學綜合
社會科學 > 社會科學綜合