民間陶塑工藝初探－潮州大吳翁仔屏－

The First Study for the Folk Pottery Sculpture: The Dai Go an Gian Pian in Chaozhou

陳奕愷(Yi-Kai Chen)

《藝術評論》 13期 (2003/12) Pp. 135-179

摘要

本文調查來自廣東潮州的民間陶塑藝術，因出自大吳村民所做，以當地方言名為「大吳翁仔屏」（潮語），這是甚具特色的民間工藝，也是在台灣難以見及。透過研究發現大吳翁仔屏，並非過去所誤解的泥塑或泥人，本質上是屬於彩繪陶；其機能是應用在廟會慶典的裝飾；論及表現主題多與潮州地方戲潮劇相關，故可見戲曲人物的腳色與身段；還有透過文獻與採訪，得知當地雕塑匠師人才輩出，甚至影響鄰鄉楓溪鎮的技術發展，躍居為當今潮州陶藝的重鎮。綠於上述幾點，再看當前翁仔屏的沒落，值得文化工作者的深思。

關鍵字

陶塑 ； 陶藝民間藝術 ； 潮州

並列摘要

Investigation of this essay comes from the folk pottery sculpture in Chaozhou, Quandong. As it is made by people of Dai go Village, therefore according to its local dialect it is called ”Dai go An Gian Pian”. This is a folk handicraft with special characteristics and is rarely seen in Taiwan. Through research, it is discovered that the Dai go An Gian Pian is not just clay sculpture or clay doll and this has been a misunderstanding in the past. Its intrinsic quality belongs to color painting pottery. Its function is applied in the decoration of temple fair and celebration ceremony. The performance topic is mostly related to local plays in Chaozhou and Chaozhou opera. Therefore, the role and figure of the opera song characters can be seen. In addition, through 《History of Village》 and interview, it is known that there are continuously many talents of local carving and sculpture masters who even influence the development of techniques of the neighboring Feng Xi Town that becomes the major place of the present Chaozhou handicraft. It is really worthwhile for cultural workers to contemplate deeply based on the above points and the decline of the present An Gian Pian.

並列關鍵字

pottery sculpture ； pottery ； folk arts ； Chaozhou

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